Mekong Hotel (2012)
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Weerasethakul's films have been hailed for their hypnotic mix of natural splendor and supernatural mythology, though this one is a bit lumpy by his standards.
Apichatpong resists control and eschews close-ups, maintaining as always a Zen-like approach to his material.
Compared with Weerasethakul's acclaimed features, it feels cobbled together and improvised, which for the most part it was.
It's not painful to endure or anything (in part because it's so short), but to borrow the title of one of last year's celebrated Cannes premieres: This is not a film.
Miniature rumination on reincarnation and romance overstays its welcome even at 59 minutes.
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