Critic Consensus: Melancholia's dramatic tricks are more obvious than they should be, but this is otherwise a showcase for Kirsten Dunst's acting and for Lars von Trier's profound, visceral vision of depression and destruction.
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as Wedding Planner
as Michael's Father
as Wedding Photographer
as Betty 1
as Betty 2
as Girl with Guitar
as Michael's Mother
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Critic Reviews for Melancholia
"Melancholia" is a hauntingly beautiful meditation on depression that is as likely to exasperate as many people as it moves.
Melancholia floats in an air of supernatural malaise and tension, a melancholy mirrored in everything and everyone.
No moviemaker I know creates psychodramas so hard to watch and difficult to forget. If we esteem Sylvia Plath, Vincent van Gogh and Samuel Beckett, Von Trier deserves our attention, too.
It's a credit to the director's persistence of vision that he finds such eerie images to adorn this wispy tree of death. Like a newborn planet, "Melancholia" is magnetically beautiful, but it's also an unformed mass of hot air.
Audience Reviews for Melancholia
Lars von Trier continues to move through the realm of desolation after Antichrist with this profoundly sad film that shows how different people react in the face of depression and the impending doom. The cast is fantastic, especially Dunst and Gainsbourg, who are both exceptional.
A sprawling, if flawed, story concerning a woman (Kirsten Dunst) and her self-destruction at her own wedding, coupled with the seemingly imminent threat that a planet off in the distance, named Melancholia, will collide with earth in the near-future. There is a lot going on here despite the onslaught of depression, notably a lot of subtlety and careful reflection of one's life-span. In one sense, it is a frustrating film because it is so detached, but in another way, it keeps the ambiguity and curiosity at an all-time high. Some will find it boring and pretentious, and that's understandable, but I found it to be engrossing and a fascinating, character study on depression. As said, there are a few problems with it, but it is ambitious and thought-provoking, so for that, it gets a recommendation.
|Justine:||Six hundred and seventy eight. The bean lottery. Nobody guessed the number of beans in the bottle.|
|Claire:||No, that's right.|
|Justine:||But I know. Six hundred and seventy eight.|
|Claire:||Well, perhaps. But what does that prove?|
|Justine:||That I know things. And when I say we're alone, we're alone. Life is only on earth. And not for long.|
|John:||Those bitches have locked themselves in their bedrooms and are now taking baths. Is everyone in your family stark raving mad?|
|Tim:||The way I see it, you're now short of a boss and a husband, could I, in all humility, offer my services? You have the ideas. I have the head for business. We could be the perfect couple. We've had good sex.|
|Jack:||Too bad about Tim.|
|Justine:||What about Tim?|
|Jack:||That he got fired. he didn't last many hours in the business, but then again, it's a rather unpredictable one. You're a king one day and beggar the next.|