The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
The Smith-Jones duo's return as the titularly clad operatives, while not exactly essential, comes with the charms of reprised, well-liked characters and a "didn't-see-that-coming" conclusion that makes up for the first hour's sequelitis.
Sonnenfeld depends on crashing action and hyperventilating camera moves to puff up the slack blimp of a story. Unfortunately, there's one effect that computer-animation technicians can never duplicate: a genuine sense of fun.
The franchise is no longer the zenith of blockbusterism, and the gooey effects from Hollywood veteran Rick Baker look overly familiar, but "Men in Black 3" remains an amiable comedy with some fondly familiar faces.
Sonnenfeld and Cohen move their baby along with an integrity and gait that ought to serve as a blueprint for other filmmakers faced with the particular challenges of reviving big-ticket and time-dated hunks of pop culture.
In this age of blockbuster bloat, Sonnenfeld's willingness to wrap things up well before the two-hour mark, as well as his eschewal of sledgehammer product placement, count as gestures of considerable mercy.