The Milk of Sorrow (La Teta Asustada) (2010)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: Claudia Llosa's deliberate pace and abstract storytelling may frustrate some viewers, but there's no denying the visual pleasures soaking in The Milk of Sorrow.

The Milk of Sorrow (La Teta Asustada) Videos

The Milk of Sorrow (La Teta Asustada) Photos

Movie Info

Director Claudia Llosa follows her award-winning feature directorial debut, Madeinusa, with this stark meditation on a grim period of South American history in which approximately 70,000 people were murdered between the years 1980 and 2000. Fausta (Magaly Solier) has fallen ill with a disease passed down from mother to daughter through breast milk. But Fausta's affliction isn't biological; it strictly affects Peruvian women who were raped or abused during those two terrible decades of persecution. While those days are long gone, Fausta stands as a living reminder of the horrors that once plagued her country, her malady a deep-rooted fear that stripped the young innocent of her soul. After Fausta's mother dies, the horrified girl is forced to confront her greatest fear by staring straight into the black heart of her own paranoia. Now, as Fausta sets out to discover her own path to freedom, she inserts a potato into her vagina in order to protect her body from unwanted intruders. ~ Jason Buchanan, Rovi
Rating:
NR
Genre:
Art House & International , Drama
Directed By:
Written By:
In Theaters:
 limited
On DVD:
Runtime:
Studio:

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Cast

Magaly Solier
as Fausta
Delci Heredia
as Carmela
Karla Heredia
as Severina
Bárbara Lazón
as Perpetua
Marino Ballón
as Tío Lucido
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Critic Reviews for The Milk of Sorrow (La Teta Asustada)

All Critics (37) | Top Critics (8)

The metaphors are so crystal-clear and the story unfolds at such a deliberate, often infuriatingly slow pace that the impact of the drama is muted.

Full Review… | September 2, 2010
Los Angeles Times
Top Critic

No excerpt available.

Full Review… | August 26, 2010
New York Times
Top Critic

Claudia Llosa, the director and co-writer, favors wide shots and long takes, which lend an air of realism to the beautifully shot allegory.

Full Review… | August 26, 2010
New York Post
Top Critic

The Milk Of Sorrow is about a country dealing with old wounds and old divisions, and it's about how sometimes it can be easier to cling to pain than to move past it.

Full Review… | August 26, 2010
AV Club
Top Critic

Trauma is buried and rarely alluded to in this quiet slice of magical realism -- but there's no denying the pain when it comes.

Full Review… | August 24, 2010
Time Out
Top Critic

The movie, which won the Golden Bear at the 2009 Berlin Film Festival, is littered with unforgettable images of incongruity, destruction, and, finally, healing.

Full Review… | August 24, 2010
Village Voice
Top Critic

Audience Reviews for The Milk of Sorrow (La Teta Asustada)

½

A poignant allegorical drama centered on the belief that the trauma experienced by the many women raped during the years of terrorism in Peru has been passed on to the following generations, and it relies on a beautiful performance by Magaly Solier.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

A Peruvian girl believes that her raped mother's sorrow was transferred to her through breast milk. That intriguing premise is somewhat wasted in a slow and drawn out tale of the girl trying to raise money to bury her mother's corpse in her native village; it's most interesting for its peek at Peruvian folk beliefs and customs, including an unusual use for potatoes.

Greg S
Greg S

Super Reviewer

½

While participating in the rehearsal for her cousin Maxima's(Maria del Pilar Guerrero) wedding, Fausta(Magaly Solier) falls so ill that it cannot be explained by her usual nosebleeds. At the hospital, she is diagnosed with a potato in her vagina and does not want to be treated. As she tells her uncle Locido(Marino Ballon), she heard a story about a woman who did the same during the terror and was not raped. Fausta probably heard the story from her mother(Lucy Noriega), now deceased, who she has to find the funds to bury in her native village. To do so, Fausta gets a job at the Big House but does not get an advance on her wages. What easily could have been on the level of a very silly episode of "House," instead turns out to be an understated allegory of Peru that is admittedly more than a little predictable. On the one hand, everybody seems to be getting married, leading to a worldwide fabric shortage and most people with little spending money. Or they are people like Fausta who carry the psychic baggage of past generations around with them. She is haunted from songs her mother used to sing, not transmitted through breast milk, which just goes to show you that there is some truth in myths.

Walter M.
Walter M.

Super Reviewer

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