The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Onscreen, Eastwood is solid as granite, getting maximum effect by doing the minimum required in a scene but doing it with precisely the right inflection or look. Swank is sensational, proving her breakout turn in Boys Don't Cry was no fluke.
Yes, Million Dollar Baby is about the grit and glory of boxing. It's about the count, the bell and the gloves in the air, but also about the human heart and all the tenderness and strength it can muster. And in both corners, it's a knockout.
Perhaps the director's most touching, most elegiac work yet, Million Dollar Baby is a film that does both the expected and the unexpected, that has the nerve and the will to be as pitiless as it is sentimental.
"Million Dollar Baby" is a tragic film about an innately paternal man's desperate need to overcome his own emotional traps and the loyal girl who facilitates his growth by her steely will and stubborn drive.
Million Dollar Baby adds to Clint Eastwood's legacy in ways we might not have expected. It explores emotional terrain as he hasn't done before, and it gives him a kind of role that he has never had before.
After the somewhat hysterical Mystic River - a flawed work dominated by a powerhouse performance from Sean Penn - this is a far more balanced piece, anchored by three terrific turns and some lean direction from Eastwood.