Minnesota Clay (1965)

TOMATOMETER

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AUDIENCE SCORE

Critic Consensus: No consensus yet.

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Movie Info

In this western, a captured gunslinger is sentenced to swing, but before his execution day, manages to escape from prison. He then seeks out the one man who can prove his innocence. Because he is slowly going blind, he must use his enhanced sense of hearing.
Rating:
NR
Genre:
Action & Adventure , Art House & International , Western
Directed By:
Written By:
In Theaters:
 wide
On DVD:
Runtime:
Studio:

Cast

Cameron Mitchell
as Minnesota Clay
Ethel Rojo
as Estella
Diana Martin
as Nancy Mulligan
Anthony Ross
as Scratchy
Antonio Casas
as Jonathan
Julio Peña
as Lt. Evans
Nando Poggi
as Tubbs
Joe Kamel
as Millicet
Gino Pernice
as Scratchy
Antonio Roso
as Scratchy
Jose Manuel Martin
as (uncredited)
Jeff Kaye
as Narrator
Show More Cast

Critic Reviews for Minnesota Clay

All Critics (1)

A great performance as the relentless gunslinger by Cameron Mitchell gets this one through some bumpy patches.

Full Review… | January 19, 2013
Ozus' World Movie Reviews

Audience Reviews for Minnesota Clay

From The S[agetti Western Bible Vol 3. Now Minnesota Clay is one fast guy with a gun. Possibly the fastest in the world. Unfortunately he is also slowly losing his eyesight, with his vision now so impaired that one more punch could cause complete loss of sight. The movie begins with Clay (Cameron Mitchell) escaping from imprisonment, and intent on getting revenge on the man who set him up. The man in question is Fox (George Riviere), who has appointed himself as the Sheriff of Clay's hometown and abuses this power, with the townsfolk living in terror of his gang. They had initially paid Fox to protect them from bandit Ortiz (played by the ever excellent Fernando Sancho), who himself terrorises the town. In the middle of these two waring parties is Clay's daughter, Nancy, who believes her father is dead, and thinks Clay is merely a local hero. They are reunited, but caught in the crossfire between the two gangs, co-ordinated mischievously by Estella (Ethel Rojo) who is as devious as she is beautiful (and my is she beautiful!). Minnesota Clay is one of the earliest Spaghetti Westerns, directed by a pre-Django Sergio Corbucci. Whilst it is not as captivating or as dark as the films he directed during the Spaghetti boom of 1966-1970, it is still a very enjoyable movie, with the usual sprinkling of injustice that we have come to expect within his films. 4 Stars 11-27-13 Mitchell, Sancho and Riviere are captivating throughout, and Rojo could win the heart of any man with her portrayal of Estella (no wonder her character is so able to use those around her so ably). My only complaint would be the vocal overdub on the English soundtrack for the characters of Nancy (drippy) and Andy (who comes over as a Frank Spencer type character - apologies to any non-English readers that may not understand this comparison!). Once you get used to these minor grumbles about the overdub (which, honestly, does not take too long), you can really start to enjoy Minnesota Clay for the highly watchable film that it

Bruce Bruce
Bruce Bruce

Super Reviewer

½

"Minnesota Clay" marks one of the earliest spaghetti westerns to emerge after the success of Sergio Leone's genre defining "Fistful of Dollars" and the second western for director Sergio Corbucci. For an early spaghetti this is pretty decent but it is a couple steps below Corbucci's later genre defining entries "The Great Silence" and "Companeros". Minnesota Clay (Cameron Mitchell) is a wrongly accused gunman who is doing hard time in the countries deadliest labor camp. He escapes to return to his home town to protect his daughter (whom he hides his paternity from) from the sheriff, the very man who set him up. Can he protect his daughter before going completely blind? Don't expect this to be the "Zatochi" of spaghetti westerns as this isn't about a gunman who is blind going around and blowing people away. Sure the protagonist eventually goes blind but the plot is pretty standard affair for a western and the film really lacks the baroque and eccentric touches of Corbucci's later films (notably "Django"). Though the approach is more standard for Corbucci (no doubt playing it safe since this is one of his earliest westerns) it still has plenty of Corbucci's strong character elements, especially the close connection between spouses and family. Our hero, also in Corbucci fashion, gets mangled and tortured by the end and has to rise up to defeat the evil antagonist. The look of the film is also beautiful with wonderful cinematography and settings that suck the audience into the plot. Cameron Mitchell is wonderful as the title character as he is both a gentleman and deadly with his talent. He definitely made the right choice to go to Italy and take starring roles in European genre films as opposed to forgettable Hollywood supporting roles. Due to this he is one of the great cult actors thanks to very films like "Minnesota Clay" and he would ride that cult actor status all the way through the 80's appearing in multiple genres including such blood soaked horror classics as "The Toolbox Murders." Much like Corbucci's "The Great Silence" there are two separate endings to the film, a downbeat and an upbeat one. Though I cannot find facts on this subject I would guess it would be the same reason he was forced to shoot two separate endings to "The Great Silence" as some distributors wanted an upbeat ending to appease audiences. Thankfully the VCI DVD release keeps the downbeat ending intact and allows the viewer the option to view the "happy" ending separately. Overall "Minnesota Clay" is a solid spaghetti western. It lacks the over-the-top eccentric elements of such Corbucci classics like "Django" and it isn't as good as "The Great Silence" or "Companeros" but it still has enough elements of a good Corbucci western to appease fans. It's available in some bargain multi film packs but the VCI DVD release is well worth a purchase.

Eric Reifschneider
Eric Reifschneider

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