Minnesota Clay - Movie Reviews - Rotten Tomatoes

Minnesota Clay Reviews

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March 19, 2014
140319: The movie description here really sucks, doesn't sum it up well. Regardless, this is a decent spaghetti. Good characters with some bad acting. Mexican bandits & six guns. Fun enough.
Super Reviewer
January 7, 2014
From The S[agetti Western Bible Vol 3. Now Minnesota Clay is one fast guy with a gun. Possibly the fastest in the world. Unfortunately he is also slowly losing his eyesight, with his vision now so impaired that one more punch could cause complete loss of sight.
The movie begins with Clay (Cameron Mitchell) escaping from imprisonment, and intent on getting revenge on the man who set him up. The man in question is Fox (George Riviere), who has appointed himself as the Sheriff of Clay's hometown and abuses this power, with the townsfolk living in terror of his gang. They had initially paid Fox to protect them from bandit Ortiz (played by the ever excellent Fernando Sancho), who himself terrorises the town. In the middle of these two waring parties is Clay's daughter, Nancy, who believes her father is dead, and thinks Clay is merely a local hero. They are reunited, but caught in the crossfire between the two gangs, co-ordinated mischievously by Estella (Ethel Rojo) who is as devious as she is beautiful (and my is she beautiful!).
Minnesota Clay is one of the earliest Spaghetti Westerns, directed by a pre-Django Sergio Corbucci. Whilst it is not as captivating or as dark as the films he directed during the Spaghetti boom of 1966-1970, it is still a very enjoyable movie, with the usual sprinkling of injustice that we have come to expect within his films. 4 Stars 11-27-13

Mitchell, Sancho and Riviere are captivating throughout, and Rojo could win the heart of any man with her portrayal of Estella (no wonder her character is so able to use those around her so ably). My only complaint would be the vocal overdub on the English soundtrack for the characters of Nancy (drippy) and Andy (who comes over as a Frank Spencer type character - apologies to any non-English readers that may not understand this comparison!). Once you get used to these minor grumbles about the overdub (which, honestly, does not take too long), you can really start to enjoy Minnesota Clay for the highly watchable film that it
½ December 21, 2011
Aging gunman escapes prison work camp to take care of unfinished business back home, now run by a corrupt lawman who failed to exonerate him years before. Cameron Mitchell lifts the film a notch or two, which would mark his dubious film resume all thru the 70s and 80s.
July 9, 2011
This is one of Corbucci's earlier westerns. It feels more American than Italian. Minnesota Clay was made around the same time Leone was filming Fistful of Dollars. Which would explain it's lack of the Leone trademarks that you come to expect from spaghettis. Instead of a reinvented action hero, we get an old school John Wayne type. Rather than a timeless Morricone-like score, you get a bunch of forgettable tracks. And the story is just plain boring.

The main character is Minnesota Clay, a aging outlaw who escapes from a prison camp to settle a score with an old rival, Fox. Like in his other films, Corbucci gives his hero a disability. With Clay, it's his eyesight. By the end of the film he is nearly blind and must take on Fox's men under the cover of darkness to equal the odds. This scene is done with little to no score, which helps enhance the tension.


In the final duel with Fox, Clay is completely blind and is almost tricked into shooting his daughter. His enhanced hearing prevents this from happening, but doesn't prevent his death. The sad ending is the most satisfactory part of the film. Clay's demise is bittersweet because you know his daughter will be taken care of once his body is turned in to the authorities. Sure it's a downer, but tame compared to the ending in Corbucci's masterpiece, The Great Silence.


Minnesota Clay is worth watching simply to see Corbucci's preliminary work. I like to think of it as one of his dress rehearsal westerns. It includes some of the same themes as his golden era spaghettis, but lacks the dark tone and rich style that you come to expect from a Corbucci western.
½ March 13, 2011
"Minnesota Clay" marks one of the earliest spaghetti westerns to emerge after the success of Sergio Leone's genre defining "Fistful of Dollars" and the second western for director Sergio Corbucci. For an early spaghetti this is pretty decent but it is a couple steps below Corbucci's later genre defining entries "The Great Silence" and "Companeros".

Minnesota Clay (Cameron Mitchell) is a wrongly accused gunman who is doing hard time in the countries deadliest labor camp. He escapes to return to his home town to protect his daughter (whom he hides his paternity from) from the sheriff, the very man who set him up. Can he protect his daughter before going completely blind?

Don't expect this to be the "Zatochi" of spaghetti westerns as this isn't about a gunman who is blind going around and blowing people away. Sure the protagonist eventually goes blind but the plot is pretty standard affair for a western and the film really lacks the baroque and eccentric touches of Corbucci's later films (notably "Django").

Though the approach is more standard for Corbucci (no doubt playing it safe since this is one of his earliest westerns) it still has plenty of Corbucci's strong character elements, especially the close connection between spouses and family. Our hero, also in Corbucci fashion, gets mangled and tortured by the end and has to rise up to defeat the evil antagonist. The look of the film is also beautiful with wonderful cinematography and settings that suck the audience into the plot.

Cameron Mitchell is wonderful as the title character as he is both a gentleman and deadly with his talent. He definitely made the right choice to go to Italy and take starring roles in European genre films as opposed to forgettable Hollywood supporting roles. Due to this he is one of the great cult actors thanks to very films like "Minnesota Clay" and he would ride that cult actor status all the way through the 80's appearing in multiple genres including such blood soaked horror classics as "The Toolbox Murders."

Much like Corbucci's "The Great Silence" there are two separate endings to the film, a downbeat and an upbeat one. Though I cannot find facts on this subject I would guess it would be the same reason he was forced to shoot two separate endings to "The Great Silence" as some distributors wanted an upbeat ending to appease audiences. Thankfully the VCI DVD release keeps the downbeat ending intact and allows the viewer the option to view the "happy" ending separately.

Overall "Minnesota Clay" is a solid spaghetti western. It lacks the over-the-top eccentric elements of such Corbucci classics like "Django" and it isn't as good as "The Great Silence" or "Companeros" but it still has enough elements of a good Corbucci western to appease fans. It's available in some bargain multi film packs but the VCI DVD release is well worth a purchase.
November 3, 2010
Wednesday, November 3, 2010

(1965) Minnesota Clay

Another typical spaghetti western film involves "Wrongfully imprisoned for a crime he didn't commit, Minnesota Clay seeks revenge on the man who withheld evidence at his trial"- imbd somewhat boring which lacks logic especially at the end of the film but with plenty of close-ups!

2 out of 4
½ July 16, 2010
Most people think of Sergio Leone when they think of the Spaghetti Western, as they should; however, there was another Sergio who was just as great. Sergio Corbucc (who went on to direct the classics "Hired Gun" and "Django" [which if you haven't seen "Django" you need to remedy that situation]) was a master of the genre. Usually not able to grab the Hollywood talent that Leone was able to, Corbucci used the talent he had in very effective ways. That is definitely the case here.
½ July 19, 2009
Great dawn showdown with a near-blind Mitchell firing by sound, an interesting prototype for later Corbucci. The main problem for me is that we are too often told how impressive the hero is rather than shown, and Mitchell/Clay actually refers to himself in the third person at least once.
To a lesser extent, the sidekicks seem misplaced. Clay's comic relief man is not amusing, and the villain Fox is poorly assisted by the ill-named and inadvertently hilarious Scratchy.
July 21, 2008
A gritty early Corbucci western. Certainly not his best, but it's a fine indicator of his enviable career.
November 12, 2007
Early Corbucci with a horribly casted Cameron Mitchell. Mitchell rules in general, but in the film he looks like the last person that would ever be a hardass gunslinger. The ending reclaims itself a bit, but the film overall cannot compare with later Corbucci.
September 12, 2007
An early spaghetti made during a time when Leone had not even reached success. Thus, its form is more of an American 40s western, focusing on morals and romance, than a Eurowestern. Corbucci's style is almost non-existent, which is a shame because he is second-to-none in terms of Leone and Style.
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