Modern Times - Movie Reviews - Rotten Tomatoes

Modern Times Reviews

Page 2 of 89
March 11, 2016
Our era will never produce a satire as lighthearted or as poignant or as brilliant as this.
March 6, 2016
Um excelente e ousado filme, perfeito mesmo na atualidade, e pode ser facilmente considerado o melhor filme de Charlie Chaplin.
January 5, 2016
While vulgarity rules the humor of today, sometimes it's nice to be amused without being shocked. Modern Times is a simple, innocent film that still manages to produce laughs and leaves its audience with the warm fuzzies in the end. If a prejudice towards silent films turns viewers away, it is only to their disadvantage.
½ January 1, 2016
I kept on laughing and laughing till I realized the real meaning behind the jokes and I stopped laughing. Brilliant. This man is brilliant and I obviously realize that way too late.
Super Reviewer
½ December 17, 2015
The first twenty minutes are the work of genius, but then the film loses some of its focus and becomes a usual collection of sketches - though most of them hilarious and memorable. And Chaplin's idea of using spoken voices only from mechanical devices is brilliant.
November 26, 2015
This is a deftly comical piece of cinema that appeals to haters and lovers of silent movies and is charming enough to make virtually anyone a "tramp" fan.
November 25, 2015
Charlie Chaplin has directed,starred and written different movies. He was one of the most popular movie stars in his prime.Modern times is regarded as a classic and is one of Charlie Chaplin's most popular movies.This movie contains some very funny scenes and the way it depicts society makes this movie remain relevant to this very day.
½ November 24, 2015
"Modern Times" heavily rely on the Rube Goldberg setups that may seem like they are going to be predictable. They mostly tend to be. But intelligently organized as they are, the funnier they get.
October 22, 2015
Written, directed and starred by Charlie Chaplin
½ October 22, 2015
I mean, come on, it's Charlie Chaplin! The slapstick is still genius even now. It does seem to lose a little focus as it moves along, but that contributes to its irresistible charm and wit.
October 8, 2015
A fun satire on the dangers of an increasingly automated, industrial world and at the center is a nimble Chaplin at the top of his game.
October 4, 2015
Slapstick Comedy gold it only goes down from here
Robert B.
Super Reviewer
October 3, 2015
Amusing and charming, Modern Times still entertains decades later. The set and prop design for the first act (the factory) are very good. The plot takes us through the many ups and downs (mostly downs) of the hero and heroine, and the way they handle it all is very endearing. The lead actress has great spirit and natural beauty. Modern Times isn't a must-see, but I would definitely recommend it.
September 27, 2015
Chaplin was a genius and Modern Times was his masterpiece. Modern Times is still relevant today. Modern Times is a film that will make you laugh out loud and shed tear all with perfect timing.. Chaplin was the master of entertainment! There is never a boring or dull moment in a Chaplin film. Modern Times especially.. This is a must see movie! Chaplin being the rebel that he was made this a silent film years after talkies were the norm. That's part of the beauty of this movie. What Chaplin does works and it's entertaining from start to finish.
September 25, 2015
First Chaplin movie I've seen. Thoroughly impressed.
September 25, 2015
Hilarious and touching.
September 23, 2015
Charlie Chaplin's Modern Times is one of the best satire movies. The movie manages to say everything even without a single dialogue. A movie worth watching.
September 13, 2015
Considered to be one of Charlie Chaplin's greatest achievements, Modern Times sounded like a hilarious slapstick piece

Modern Times is a film that drew Charlie Chaplin accusation of luddism as he refused to move into sound cinema and instead dedicated himself to keeping the vaudevillian spirit alive in the face of changing times. Looking at the film in a contemporary age where all the man's films have nostalgic value, it is clear that Modern Times is one of his finest works. To call the man a luddist is to say Quentin Tarantino is a plagarist.
Modern Times is essentially the Tramp's journey into Metropolis. As a means of ensuring this, the production values in the feature are really effective. The production design of Modern Times is beautiful.Cleverly making use of only a selective few locations to tell its story, Modern Times manages to make the most out of all of them. Each scene in the film takes place in a different location, yet the scenes are stretched out so that there is a sense that the potential in all of them is maximized. The result is a lot of creative hilarity from the many situations where Charlie Chaplin takes his slapstick to brilliant extents. Some of the imagery in the film is the most iconic of Charlie Chaplin's entire career, including the sight of him being grinded between cogs. The humour always makes use of the universe around the characters and the entire experience is captured with fine cinematography that really turns it all into wonderful imagery while working with the movements of Charlie Chaplin. And with so much of the footage in Modern Times being sped-up, the slapstick comes at viewers a lot faster and condenses the energy of the film into a swift 83 minutes of consistent laughter. The genuine feeling of it all is kept alive by the musical score which keeps consistently flowing at a fast rate with lighthearted jonty tunes during the funnier moments of the film which also oscillate with the more sentimental tone that comes into the dramatic sequences. Rarely does the humour drag on, but at the same time it is not solely dedicated to the physical comedy side of things.
Though Modern Times is clearly dictated to be a stylie-driven slapstick comedy, there is an extent of social commentary in the story which cannot be disregarded. Though it is subtle, there are intelligent comments regarding suvival of the Great Depression and attempts to maintain employment in the face of the industrial age. All of this is buried into the comedy within the narrative so that it gives viewers a chance to laugh while they have their thoughts challenged. These plot points do not get in the way of the narrative being a joyful comedy, but they do demand the viewer's consideration. They play second fiddle to the humour in the film which ensures that it is a comedy at heart and therefore not precisely as meaningful as some of his other works where the use of dialogue is a significant factor in conveying what truly goes on in the mind of Charlie Chaplin, but the elements of political commentary are represented very well by the imagery in the film and serve to give an unprecedented level of depth to the extensive slapstick spectacle.
The recurring word to determine value in Modern Times is the term "slapstick", and it is sourced almost solely from the efforts of lead actor Charlie Chaplin. With a clear passion for the film as writer and director, Charlie Chaplin takes Modern Times' material by storm when he enters the screen because he captures his character with every inch of the part from the smallest elements of his facial expressions to his most over the top antics. Charlie Chaplin's natural gimmicks are as refreshing as ever, proving to be the backbone of the film which takes it through the entirety of its 83 minute running time. And yet, there are also some moments where he is really able to bring a touch of suble drama to the film. Though his voice is not heard, Charlie Chaplin evokes a sense of emotional frailty based on the smallest elements of his character since he really sinks his teeth into every inch of the role. And as the final silent film to feature him portraying The Tramp in a leading role, Modern Times proves to be a very heartfelt sendoff for the legendary character archetype, so it is ultimately a hilarious and bittersweet effort on behalf of Charlie Chaplin which never fails to leave audiences of all different times and ages laughing at the sight of a clownish man falling into machinery
Paulette Goddard also does a lovely effort. Playing the romantic opposite of the protagonist, Paulette Goddard is not around with the intention of making audiences laugh. She is there to make them feel, and she does a lovely job of that. The level of sympathy she intends to establish is limited by the nature of the film as a silent movie, and yet she transcends that because even as she speaks in silence there is a sense of beautiful passion in her maner of delivering it. She has a smile which just lights up the screen and a determined sense of energy which she uses to keep herself consistently physically active. Paulette Goddard easily has audiences captivated by her naturally beautiful charms, so she is most welcome to be working alongside Charlie Chaplin as she interacts with his passion for physical humour with natural instict, meaning that she keeps up with the pace of the humour in Modern Times with ease.

So Modern Times delivers more of the hilarious slapstick that fans of Charlie Chaplin have come to expect, raising the scale with increased production values and increasing the genuine credibility of the film with the addition of intelligent political commentary in the subtext.
September 1, 2015
True cinema at its greatest. Chaplin is a great director and made this one relevant to the time and entertaining at the same time. I do wish that it wasn't completely silent.
½ August 28, 2015
This is not my favourite Chaplin film, but like all of his best work, I never tire of this film. Paulette Goddard is probably my favourite of all of his co-stars. She's positively radiant in this film. Although there's sound and some dialogue in this film (all the dialogue comes via machines), the comedy is still all silent, so this is effectively his last silent film.
Page 2 of 89