Ralph Breaks the Internet
Mission: Impossible - Fallout
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All Critics (31)
| Top Critics (8)
| Fresh (30)
| Rotten (1)
| DVD (5)
Perfection? Arguably not; Verdoux has clunky moments and some flat casting, but with an able assist from the great comedian Martha Raye, Chaplin's latter-day greatness is readily apparent.
In its uncanny depiction of a weakling whose crimes pale against those of the war-mad society around him, it's a near masterpiece.
Chaplin generates little sympathy. His broad-mannered antics, as a many-aliased fop on the make for impressionable matrons.
Shapes up as Chaplin's most startling, most invigorating movie: its icy temperature is positively bracing after the hot syrup of his earlier work.
An engrossingly wry and paradoxical film, screamingly funny in places, sentimental in others, sometimes slow and devoted to an unusually serious and sobering argument.
A film of serene elegance and sharp teeth.
The film's cynical vision is as lucid as it is unrelenting.
a pitch-black, arguably bitter comedy that wasn't so much a departure for Chaplin (he had, after all, lampooned Hitler in his previous film) as it was an opportunity to fully engage with his darker comedic impulses
Simultaneously ethical and unethical, the snappily dressed Verdoux exists as an extraordinary challenge to capitalism's status quo during its seismic swing toward fascism.
Monsieur Verdoux can boast a screenplay with a highly unusual moral complexity and a deeply philosophical bent...Yes, Verdoux is a film that name-drops Schopenhauer, but it's also damn funny... [Blu-ray]
Thoungh misunderstood and a commercial flop in 1947, Chaplin's murderous satire has many merits, including Oscar nomination for Original Script.
It's not often you find Charlie Chaplin in the rare role of a villain, but he does nice work in this small tale of lies and murder.
Except for one touching moment and a hilarious poisoning scene, this uneven "comedy of murders" is of extreme bad taste and has a serious problem in structure and tone - placing a putrid character in such a sloppy attempt at a commentary.
The only time I can sympathize with a criminal who...kills for a reason!Chaplin is a true innovator of ludicrous sarcasm and...bitter,social commentary.
The greatest comedian of all time finally leaves behind 'The Tramp' the character that made him famous, and here plays a serial killer, a very affable and charming one, though.
A gem of black comedy, in which Chaplin showed a little wickedness, without abandoning his social commentary nor his sentimentality.
He easily proves why murder can be also a laughing matter.
This reminded me a lot of Kind Hearts and Coronets, where the murder attempts are just so hilariously wicked you overlook the immorality of it all (seriously, that boat scene between Chaplin and Raye was PRICELESS) and the killer is seemingly unremorseful all the way to the end. But of course between Alec Guinness and Charlie Chaplin, I vastly prefer the latter. I'm sorry, Alec, but you don't hold a candle to Chaplin's supreme wit. Chaplin takes what could've been a very macabre and depressing subject (ok, seriously, it's Orson Welles) and turns it into a riot. Monsieur Verdoux, you are my hero.
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