The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
For all the portentous ambience and subtlety of mood in this micro-budget slog through tropical wastelands and the mumbled dialogue of its vacant-eyed protagonists, Monsters wields a pretty heavy-handed allegorical message.
The immigration and drug war parable and photojournalism ethics are never front and center, but draw attention because Edwards doesn't deliver well-earned frights or even cheap jolts. It's a good-looking movie with zero sense of urgency.
What brings Monsters down from its extremely low perch is a conspicuous lack of monstrosity -- the best the filmmaker's laptop has come up with is fleeting glimpses of supersize squid -- together with the vacuousness of the hero and heroine...
Rather than using the effects to dazzle or shock, Edwards goes for awe, and comes up with moments that are staggeringly poetic and provocative -- right up to an ending guaranteed to get viewers arguing about its meaning.