The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Bullying, poverty, closeted sexuality, drug abuse, and racial strife combine to form an overworked agenda of cultural woes that's more concerned with rubber-stamping issues than telling an original story.
What begins as an arresting blend of lyrical storytelling and bad-neighbourhood harshness gradually ferments into a relentlessly melancholic dirge in dire need of somewhere to go...an early contender for the most overrated film of the year.
Moonlight's best moments come in Little's reaction to Juan's affection, but later scenes of Chiron's erotic confusion and Black's maudlin self-pity (he wears muscular drag yet succumbs to weakness) insist that viewers feel sorry for black gay males.
Moonlight is an important and vital piece of black cinema, especially now. It's only through visibility that compassion can be nurtured and fostered, transforming solitude and confusion into hope and understanding.
I can tell you "Moonlight" is one of the most intimate and beautiful films I have ever seen, and the subject matter might seem so charged that those of us who have not experienced the issues in the film don't even know how to talk about it.