The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Bullying, poverty, closeted sexuality, drug abuse, and racial strife combine to form an overworked agenda of cultural woes that's more concerned with rubber-stamping issues than telling an original story.
What begins as an arresting blend of lyrical storytelling and bad-neighbourhood harshness gradually ferments into a relentlessly melancholic dirge in dire need of somewhere to go...an early contender for the most overrated film of the year.
Moonlight's best moments come in Little's reaction to Juan's affection, but later scenes of Chiron's erotic confusion and Black's maudlin self-pity (he wears muscular drag yet succumbs to weakness) insist that viewers feel sorry for black gay males.
Chiron's entire life is filled with so much pain and hardship that you can't help but feel an increasing sense of fear and tension that suddenly, things could go completely and tragically wrong. Imagine living with that fear every day of your life.
Despite its melancholy, and at times upsetting subject matter, Moonlight is a film with a genuine, openhearted message: love survives. Surely the hardest of hearts would be moved by this beautiful film.