The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Instead of providing the subtle, gradually disintegrating character of Morgan, Reisz dwells on the comedic aspects of each prank, cunningly milked for maximum yaks, in the process ceding any hope of the observer taking Morgan seriously.
Reisz' black comedy has not aged well, but it's a good capsule of its time, a combo of the angry mood of Look Back in Anger and the anarchic-nihilistic humor of Swinging London, which may explain why it was a campus favorite.
Despite fine performances both from the underrated Warner and from the beautiful Redgrave in her film debut, this is very much a product of its time, a series of sketches that add up to little and take us nowhere.
Not since Alec Guinness played Gulley Jimson in The Horse's Mouth and vitalized that sly bohemian scapegrace with charm and poignancy have we seen an artistic nonconformist as wild as David Warner's Morgan Delt.