Mortal Engines Reviews

  • 3h ago

    If you enjoyed Jupiter Rising you’ll probably like this. Personally, I’m pretty over big budget dumpster fires. 1/2 star for the skeleton guy’s music and violence.

    If you enjoyed Jupiter Rising you’ll probably like this. Personally, I’m pretty over big budget dumpster fires. 1/2 star for the skeleton guy’s music and violence.

  • tami
    1d ago

    This movie was the basic revenge type movie. It was an okay storyline, nothing out of the usual.

    This movie was the basic revenge type movie. It was an okay storyline, nothing out of the usual.

  • 2d ago

    Yeah just not that great. Very disjointed and tried to show a grand world and tell a grand story without much context or time.

    Yeah just not that great. Very disjointed and tried to show a grand world and tell a grand story without much context or time.

  • 3d ago

    Good special effects , bad story telling , boring characters, long movie

    Good special effects , bad story telling , boring characters, long movie

  • 5d ago

    Nice to be suprised. This movie definitely was much better than the low scores would lead you to believe. OK, it won't get prizes for being clever and the story line made it feel a bit like a James Bond movie set in a steam punk future world. But having said that, the characters are great and the look & feel is spectacular. I enjoyed it, very much more than I expected.

    Nice to be suprised. This movie definitely was much better than the low scores would lead you to believe. OK, it won't get prizes for being clever and the story line made it feel a bit like a James Bond movie set in a steam punk future world. But having said that, the characters are great and the look & feel is spectacular. I enjoyed it, very much more than I expected.

  • 6d ago

    Beyond the underdeveloped gimmick of steampunk cities on wheels, the plot and characters are so mechanical that things stall out before they really have a chance to get rolling.

    Beyond the underdeveloped gimmick of steampunk cities on wheels, the plot and characters are so mechanical that things stall out before they really have a chance to get rolling.

  • Jay
    Jun 09, 2019

    Yeah, you all know why you're here: FX. That's it. That's all you get. Script is bad, acting is mediocre, FX are not worth the buck. Wait for the torrent.

    Yeah, you all know why you're here: FX. That's it. That's all you get. Script is bad, acting is mediocre, FX are not worth the buck. Wait for the torrent.

  • Phil H Super Reviewer
    Jun 09, 2019

    OK so let me start this review by explaining my initial thoughts on this movie and its basic premise. As I'm sure many are aware the basic idea in this movie is how civilisation has crumbled after a devasting war and the remaining humans have, for some reason, decided to mount all the remaining cities on wheels so they can 'drive them around' so to speak. Well although this sounds cool on paper (in a kind of [i]GamesWorkshop[/i] related way) I also found it to be simply ludicrous. Obviously I know this is based on a fantasy novel and the entire concept is outlandish science-fiction, but really? So firstly I would have to ask how the feck mankind is supposed to have put their cities onto such huge chassis. This would mean they would have had to dig up famous landmarks (such as St. Paul's in London), load them onto the chassis, and then somehow fix them in place to said chassis. I then found myself asking what about the rest of London? How did they decide what to save? Are all the other buildings custom made for the new London-on-wheels or have they also been dug up and planted on the chassis? I then found myself asking the most fundamental question (I think). What is the actual point in building (or putting) a city on wheels? How does that benefit the city? I mean yeah sure you could move it to the coast in the summer but it just seems so utterly stupid. Just looking at these things they look so fragile, vulnerable, and in one case completely top heavy. A neat fantasy idea for a cool image and again it sounds wicked on paper, but when you actually see it in live action and try to think about it logically it raises [b]so[/b] many questions. Also the fact that mankind has done this after an apocalyptic event really makes little sense. Not to mention the fact they still seem to have a lot of technology, materials, food, water, and working men to actually build all this stuff. These vast mobile cities are damn impressive feats, yet they go around destroying each other. My last nagging question relates to the land itself. It seems that the surface of the Earth has changed since the '60 minute war' and countries like the UK have now joined mainland Europe (?). Anyway, considering how vast the mobile city of London is (and I assume some other cities), it got me wondering if there was enough space on the land for all these mobile metropolises. Heck even the smaller mobile cities are pretty big and its indicated there are many of them. I mean you could ask the same about ocean-going cruise liners in our present day and obviously there is plenty of ocean for lots. But if there were loads all roaming around on their own accord I'm sure there would be problems. This also led to me ask what state the land would be in. These gigantic mobile cities tearing and grinding up the earth as they piledrive along. The land would be wrecked, flattened, no trees, no plant life, no animal life, a complete wasteland. As for the actual movie, well its a mixed bag really and does indeed remind you of some other large budgeted sci-fi movie failures of recent. First off it is very much your bog standard [i]Star Wars[/i] type clone with all the usual bog standard characters. Mix in some other very common elements from some other well known classic franchises (I don't even need to mention them) and this is the inevitable result. The only aspect of this movie that was slightly fresh was the steampunk aspect, which I liked. But yeah you have your standard unwilling hero who finds himself thrust into a war of which he was somewhat naive about (and in this case looks disturbingly like Justin Trudeau). The standard strong female character who is trying to get revenge. The standard well-spoken leader who is actually behind closed doors the nasty villain. And then basically a whole load of background characters doing the usual stuff for both sides. I also have to mention that yet again we have a clear case of all the goodies being a multicultural bunch. Whereas all the baddies are all white, just like in [i]The Last Jedi[/i]. A strange and increasingly obvious Hollywood trend. I mean in all honesty, aside from the admittedly cool and intriguing visuals, there isn't really that much going on here. It has the exact beats (both character and plot-wise) you would expect from a sci-fi feature of this ilk, literally scene for scene. In one sequence the main villain Thaddeus Valentine (Hugo Weaving) wants to unleash this cyborg from a prison so it can hunt down and kill the main hero Hester Shaw (Hera Hilmar). Now Weaving's character is highly important in this movie, he has sway and power. Yet in order to release this cyborg he destroys the entire prison killing everyone. Couldn't he get this thing out without doing that? This attack also highlights how vulnerable and badly designed these mobile vehicles are, in this case a spider-like walking prison. One shot to a leg joint and down it goes. And speaking of the cyborg (a clear Terminator rip-off called Shrike), what was that all about? From what I can gather these things were men that have been killed in battle and then resurrected with mechanical body parts. And apparently there was an entire army of them. This particular one looked after Hester as a child after her mother had been murdered. Why this killer cyborg decided to do this I don't know. But the really odd thing is the fact that the cyborg offers to turn Hester into an undead cyborg (because she is suffering depression from the murder of her mother). Hester agrees (!!) and makes a promise with Shrike. But in changing her mind Hester breaks that promise which triggers Shrike to continually hunt her down in order to kill her and transform her into an undead cyborg (eh???). This entire subplot was just idiotic and was completely pointless to the movie. You could literally remove it all, utterly aimless. Of course Shrike eventually tracks Hester down to a city in the sky (yes that's right a city in the sky, in the clouds if you will...ahem) and in the ensuing battle the city starts to fall apart. Shrike gets badly damaged and Hester does find her original love for Shrike is reignited as the cyborg is obviously about to expire. And in typical action movie fashion despite the entire city falling apart around them with explosions and debris, both Hester and Shrike manage to muster enough time in order to have an emotional farewell (in true [i]Terminator[/i] fashion). So yeah suspension of disbelief is required for this movie. Whilst that might sound obvious for a sci-fi fantasy it's a bit different for this one seeing as its sorta supposed to reflect upon certain obvious political issues of our current time such as capitalism, climate change, easily manipulated governmental systems, non-renewable energy etc...Cities that 'eat' and 'absorb' other cities which only benefits the few (in the cities) instead of everyone which would possibly lead to a better future. Basically saying, or highlighting, how society can/could eat itself. This can be easily detected in the story but the sci-fi element is so zany with its wheeled warrior cities the social commentary kinda gets smothered. Not to mention the sheer quantity of horrendous greenscreen effects and shots. Stand aside [i]Star Wars[/i] prequels, there's a new joker in town. So yeah, the wheeled tank-like cities concept is engaging but ultimately really stupid. The rest of it is by the numbers science fiction which can be somewhat fun but only when the characters are actually onboard some kind of moving vehicle (they aren't very good characters that's why). Once they fall off onto the ground the movie literally stops dead, which is weird when you think about it. This is a highly imaginative and packed world for sure but as said before it owes so much to other films and tries to do too much. I felt like I was watching the final movie in a trilogy (or more!). The movie really feels like it needs sequels but I doubt that will happen. One thing I will say, I reckon this has future cult status written all over it.

    OK so let me start this review by explaining my initial thoughts on this movie and its basic premise. As I'm sure many are aware the basic idea in this movie is how civilisation has crumbled after a devasting war and the remaining humans have, for some reason, decided to mount all the remaining cities on wheels so they can 'drive them around' so to speak. Well although this sounds cool on paper (in a kind of [i]GamesWorkshop[/i] related way) I also found it to be simply ludicrous. Obviously I know this is based on a fantasy novel and the entire concept is outlandish science-fiction, but really? So firstly I would have to ask how the feck mankind is supposed to have put their cities onto such huge chassis. This would mean they would have had to dig up famous landmarks (such as St. Paul's in London), load them onto the chassis, and then somehow fix them in place to said chassis. I then found myself asking what about the rest of London? How did they decide what to save? Are all the other buildings custom made for the new London-on-wheels or have they also been dug up and planted on the chassis? I then found myself asking the most fundamental question (I think). What is the actual point in building (or putting) a city on wheels? How does that benefit the city? I mean yeah sure you could move it to the coast in the summer but it just seems so utterly stupid. Just looking at these things they look so fragile, vulnerable, and in one case completely top heavy. A neat fantasy idea for a cool image and again it sounds wicked on paper, but when you actually see it in live action and try to think about it logically it raises [b]so[/b] many questions. Also the fact that mankind has done this after an apocalyptic event really makes little sense. Not to mention the fact they still seem to have a lot of technology, materials, food, water, and working men to actually build all this stuff. These vast mobile cities are damn impressive feats, yet they go around destroying each other. My last nagging question relates to the land itself. It seems that the surface of the Earth has changed since the '60 minute war' and countries like the UK have now joined mainland Europe (?). Anyway, considering how vast the mobile city of London is (and I assume some other cities), it got me wondering if there was enough space on the land for all these mobile metropolises. Heck even the smaller mobile cities are pretty big and its indicated there are many of them. I mean you could ask the same about ocean-going cruise liners in our present day and obviously there is plenty of ocean for lots. But if there were loads all roaming around on their own accord I'm sure there would be problems. This also led to me ask what state the land would be in. These gigantic mobile cities tearing and grinding up the earth as they piledrive along. The land would be wrecked, flattened, no trees, no plant life, no animal life, a complete wasteland. As for the actual movie, well its a mixed bag really and does indeed remind you of some other large budgeted sci-fi movie failures of recent. First off it is very much your bog standard [i]Star Wars[/i] type clone with all the usual bog standard characters. Mix in some other very common elements from some other well known classic franchises (I don't even need to mention them) and this is the inevitable result. The only aspect of this movie that was slightly fresh was the steampunk aspect, which I liked. But yeah you have your standard unwilling hero who finds himself thrust into a war of which he was somewhat naive about (and in this case looks disturbingly like Justin Trudeau). The standard strong female character who is trying to get revenge. The standard well-spoken leader who is actually behind closed doors the nasty villain. And then basically a whole load of background characters doing the usual stuff for both sides. I also have to mention that yet again we have a clear case of all the goodies being a multicultural bunch. Whereas all the baddies are all white, just like in [i]The Last Jedi[/i]. A strange and increasingly obvious Hollywood trend. I mean in all honesty, aside from the admittedly cool and intriguing visuals, there isn't really that much going on here. It has the exact beats (both character and plot-wise) you would expect from a sci-fi feature of this ilk, literally scene for scene. In one sequence the main villain Thaddeus Valentine (Hugo Weaving) wants to unleash this cyborg from a prison so it can hunt down and kill the main hero Hester Shaw (Hera Hilmar). Now Weaving's character is highly important in this movie, he has sway and power. Yet in order to release this cyborg he destroys the entire prison killing everyone. Couldn't he get this thing out without doing that? This attack also highlights how vulnerable and badly designed these mobile vehicles are, in this case a spider-like walking prison. One shot to a leg joint and down it goes. And speaking of the cyborg (a clear Terminator rip-off called Shrike), what was that all about? From what I can gather these things were men that have been killed in battle and then resurrected with mechanical body parts. And apparently there was an entire army of them. This particular one looked after Hester as a child after her mother had been murdered. Why this killer cyborg decided to do this I don't know. But the really odd thing is the fact that the cyborg offers to turn Hester into an undead cyborg (because she is suffering depression from the murder of her mother). Hester agrees (!!) and makes a promise with Shrike. But in changing her mind Hester breaks that promise which triggers Shrike to continually hunt her down in order to kill her and transform her into an undead cyborg (eh???). This entire subplot was just idiotic and was completely pointless to the movie. You could literally remove it all, utterly aimless. Of course Shrike eventually tracks Hester down to a city in the sky (yes that's right a city in the sky, in the clouds if you will...ahem) and in the ensuing battle the city starts to fall apart. Shrike gets badly damaged and Hester does find her original love for Shrike is reignited as the cyborg is obviously about to expire. And in typical action movie fashion despite the entire city falling apart around them with explosions and debris, both Hester and Shrike manage to muster enough time in order to have an emotional farewell (in true [i]Terminator[/i] fashion). So yeah suspension of disbelief is required for this movie. Whilst that might sound obvious for a sci-fi fantasy it's a bit different for this one seeing as its sorta supposed to reflect upon certain obvious political issues of our current time such as capitalism, climate change, easily manipulated governmental systems, non-renewable energy etc...Cities that 'eat' and 'absorb' other cities which only benefits the few (in the cities) instead of everyone which would possibly lead to a better future. Basically saying, or highlighting, how society can/could eat itself. This can be easily detected in the story but the sci-fi element is so zany with its wheeled warrior cities the social commentary kinda gets smothered. Not to mention the sheer quantity of horrendous greenscreen effects and shots. Stand aside [i]Star Wars[/i] prequels, there's a new joker in town. So yeah, the wheeled tank-like cities concept is engaging but ultimately really stupid. The rest of it is by the numbers science fiction which can be somewhat fun but only when the characters are actually onboard some kind of moving vehicle (they aren't very good characters that's why). Once they fall off onto the ground the movie literally stops dead, which is weird when you think about it. This is a highly imaginative and packed world for sure but as said before it owes so much to other films and tries to do too much. I felt like I was watching the final movie in a trilogy (or more!). The movie really feels like it needs sequels but I doubt that will happen. One thing I will say, I reckon this has future cult status written all over it.

  • Jun 08, 2019

    it's a fantastic premise, didn't buy some of the acting and more needed to be explained of the world ideally....but really enjoyed it. Feel like it's the new generation's water world. Even if not perfectly executed it's great fun and super enjoyable

    it's a fantastic premise, didn't buy some of the acting and more needed to be explained of the world ideally....but really enjoyed it. Feel like it's the new generation's water world. Even if not perfectly executed it's great fun and super enjoyable

  • Jun 07, 2019

    It was okay and that's about all I can say.

    It was okay and that's about all I can say.