The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Bean seems to lament how some filmmakers have forgotten that film is foremost a medium of mass entertainment. The great sadness is that without uttering much of anything, is a few jokes short of making a very good point.
Mr. Bean's Holiday picks up steam when it finally arrives in Cannes just in time to wreak yet more havoc at the big film festival, but getting there is pretty tedious. A little of the wildly mugging Atkinson goes a long way.
Director Bendelack and writer-producer McBurney aim for the comedy of Chaplin, Keaton, and Tati, relying heavily on sight gags and their star's pratfalls and facial contortions, but they vititate the comic payoffs by allowing scenes to run too long.
If Brit comic Rowan Atkinson really is retiring his greatest creation, he's certainly kissing him off in style with this glossy, often charming road picture that has none of the coarse or crass tone of the Hollywood hit Bean of 10 years ago.
The old Mr. Bean was a lot funnier than this one. It's a combination of things: lackluster writing (neither Richard Curtis nor Mel Smith returned this time), a lack of energy, and curiously poor timing for some of the jokes.