The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
o what does the mighty Whedon do in his time off? He invites a couple of dozen friends over, and in less than a fortnight turns out the sleekest, smartest film adaptation of William Shakespeare I have ever seen. Get thee to a cinema.
Much Ado About Nothing couldn't look more different than Branagh's traditional version, and yet its big-hearted spirit is equal to the task of celebrating a classic while highlighting the reasons to remake it.
Everyone acquits him or herself charmingly, and with a deep appreciation for why Shakespeare travels well, and in defiance of those who would dismiss him as dusty. The fact is, he's writing about us. It's as simple as that, and Whedon well knows it.
The film isn't as fast and funny as it could be, although Nathan Fillion's easily offended constable injects some sorely needed comic relief. Still, give Whedon credit for trying to expose his Comic-Con fan base to a different kind of Hero.
While Acker successfully portrays a woman too smart and too strong to be shoved to the altar, Denisof never matches her fire. Without a Benedick that is up to her level, the inequity between the leads sinks the movie.