Murderous Maids (2002)
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Critic Reviews for Murderous Maids
Sylvie Testud gives such a ferociously controlled performance that the messy murder seems like a necessary release.
Unfortunately Denis' detached and indifferent camera never gets inside the story, its characters, or its milieu.
The film studies a world of deeply entrenched class divisions and sexual taboos, and then, with a scream in the night, draws the study to a close, leaving its meaning, like that of the case that inspired it, open to interpretation.
Julie-Marie Parmentier and Sylvie Testud are eerily convincing as the intense pair of co-dependents in the rigorous but creepy drama Murderous Maids.
Audience Reviews for Murderous Maids
Disturbing true-life tale of madness that resulted in the brutal murder of a woman and her daughter by their maids, two sisters. Sylvie Testud plays Christine, the elder sister who harbors an unnatural attraction for the less intelligent, younger Lea (Julie-Marie Parmentier) that develops into obsession. The film develops slowly, at times revealing the anger that lies just below the surface in Christine, and at other times showing how the two girls feed each other's fantasies about how their lives would be under other circumstances. Add in a mother (Isabelle Renaud) who seems to care little about her daughters other than how they can make her life easier. The acting is credible, the script plausible and the action keeps one engrossed, especially that of the two sisters interaction when they are alone in their room. The violence at the end is graphic and brutal, but mercifully off camera for the most part. We see the blows and hear them connect, but the actual impact is just out of the frame. There can be no doubt that Christine has taken leave of her senses by the end of the film, and one feels pity for her for that reason. This is a well-done film, just not a whole lot of fun to watch.
[font=Century Gothic][color=gray]Whenver I'm reviewing a movie, I always make a conscious decision to give away as little as possible while at the same time summarizing the themes of the movie and most importantly telling you whether or not I liked it. "Murderous Maids" does indeed concern 1) maids & 2) murder. The only mystery to viewers unfamiliar with the real life crime is under what circumstances the crime will be committed.[/color][/font] [color=#808080]"Murderous Maids" starts out with a flashback to a less than idyllic childhood as the Papin sisters are being sent to be raised in a convent.(Much is intimated about the disfunctional Papin family structure but very little is explicitly stated.) Emilia escapes the familial cycle by becoming a nun. Christine(Sylvie Testud) soon follows her mother into domestic service as a maid, even though she does have a problem with holding down a job for very long. Her little sister, Lea(Julie-Marie Parmentier), soon follows and joins Christine on a couple of jobs. Christine rebels against the notion of ever being married. She has always felt that she has had to look out for her younger sister but now the relationship becomes unhealthy when Christine does not only seek to form any outside friendships but also to prevent her sister from doing so, also. And then it gets disturbing...[/color] [color=#808080]I did like "Murderous Maids", especially with Sylvie Testud anchoring the movie with a great performance as someone constantly on the verge of losing her sanity.(Her similarily great performance in "Fear and Trembling" took some of the same emotions and moved them in a comic direction.) I thought the family history could have been detailed better but the movie succeeds by focusing on the relationship of the two sisters and does not seek to sensationalize or romanticze any of it. I am slightly disappointed that the movie missed a chance at being more of a political statement than it occasionally hinted at.[/color]
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