The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
My Brother the Devil brings a fresh and mature perspective to a story of shifting relationships between siblings, clearly marking the Egyptian-Welsh writer-director as someone on a path to greater things.
Ultimately feels a little flat, but there's promise that the director will carry on to stronger work, with several scenes here delivering exceptional grace and texture that all but guarantees a bright cinematic future.
When a both a dog and friend of Rashid's are killed in a violent gang encounter, El Hosaini frames both of their lifeless bodies on the street in a powerful image that tells of two innocents both bred to fight.
Nuances of faith, politics and sexual identity enrich what initially presents as a classic good son-bad son tale, and although the film's melting-pot patois is occasionally too dense to decipher, we get the gist.
A tender, bracing fraternal drama of London's gang life, the immigrant experience, and questions no smaller than what "manhood" might mean to young men whose traditional cultures are colliding with the worst-and the best-of the secular west.
There probably aren't too many Welsh-Egyptian writer-directors like newcomer Sally El Hosaini. But she's clearly representative of a new kind of diversity in modern Britain. And one which bodes well for its filmmaking future.