The Naked Spur1953
The Naked Spur (1953)
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Critic Reviews for The Naked Spur
This 1953 film has Janet Leigh in jeans, beautiful location shooting (and Technicolor cinematography) in the Rockies, and some of the most intense psychological warfare to be found in [director Anthony] Mann's angular and anguished oeuvre.
Much as I deplore Mr. James Stewart's escape from his responsibilities into the lazy histrionics of the Western, I must admit that in The Naked Spur he seizes every opportunity to act with all his familiar subtlety.
This rock-solid Western is brisk, terse, and full of excellent performances..and for once, a Jimmy Stewart film doesn't find its leading man stealing the show!
His every move meets resistance. In this grim cavalcade of paranoia on the hoof, the verbal jabs never let up.
In this taut revenge Western, from Oscar-nominated script by Sam Rolfe and Harold Jack Bloom, Jimmy Stewart gives one of his best performances, revealing a darker facet to his screen persona that only a superb director like Anthony Mann could bring out
Audience Reviews for The Naked Spur
As "The Naked Spur" opens, Jimmy Stewart has met an old prospector up in the hills and has hired him on to help track down a dangerous fugitive. This is all the set up required for this movie, as the film takes place wholly within these mountains and forests, and with the exception of the nameless indians who attack them, involves just five people. There's Stewart as Kemp, an amateur bounty hunter, out to get the money needed to buy back his ranch, Jesse the prospector (Millard Mitchell) and Roy the dishonorably discharged, indian-hunting soldier (Ralph Meeker). The three men have been thrown together by chance in order to bring Ben (Robert Ryan) back to justice, along with a young woman (Janet Leigh) Ben has snatched up along the way. Roy isn't very trustworthy, as his constant smiling demeanor lets us know. But it's the prisoner Ben who is the most fearsomely manipulative. He knows it's his neck that's going to be in the noose when they get back, and he tries everything in his power to squirm his way out of the rope they've got him in. The Naked Spur has more than a little in common with "The Treasure of the Sierra Madre", only instead of gold, the treasure is the outlaw. Stewart is in his own way, as hard as Bogart from that film, but Stewart's character is offered a happy ending, if he so chooses to accept it. In that way, The Naked Spur tries to offer a more redeeming morality in the end, and it's not necessarily for the better.
One-dimensional characters and corny situations stand between The Naked Spur and broad appeal. Still, Jimmy Stewart can make ANY script seem interesting and plausible.
Another boring confusing stupid western that I did not like. Of course there are good actors in this movie, so maybe you'd like it if you like westerns.
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