The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
There's a heart-sinking moment early in The Nanny Diaries when it becomes apparent that every literary gimmick that seemed arch and clever in the bestselling novel of 2002 is going to fall horribly flat in the worst movie of 2007.
Locked down in a celluloid prison cell marked The Nanny Diaries for 105 punishingly awful minutes, I was seconds away from crying 'Attica' and leading a tactical assault on the projectionist's booth when the words 'The End' appeared on screen.
Wealthy New Yorkers don't often get skewered as mercilessly as they do in this comedy by writing and directing duo Shari Springer Berman and Robert Pulcini, but the audacity turns out to be deceptive and formulaic.
It sounds like the ultimate chick flick with crossover potential -- Scarlett Johansson learning a lot about life and a little about love in a film based on a cornerstone of chick lit -- but not even chicks will get much out of The Nanny Diaries.
Yes, there are wealthy New Yorkers as toxic as the X's, but by making them so one-dimensional that it threatens to strain the word dimension, The Nanny Diaries becomes as flaccid and predictable as something you'd expect from Hollywood hacks.