The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Never Let Me Go is gorgeous. And depressing. It's exquisitely acted. And depressing. It's romantic, profound and superbly crafted, shot with the self-contained radiance of a snow globe. And it's depressing.
Oddly cold and detached, as if director Mark Romanek and screenwriter Alex Garland couldn't decide precisely how to interpret Kazuo Ishiguro's popular novel and so they just laid it out flat. And flat it feels.
Never Let Me Go, director Mark Romanek's introspective adaptation of Kazuo Ishiguro's novel, is a work of subtle beauty -- a melancholy meditation on the finality of life and the choices we make as our time shortens.
The theme of Ishiguro's novel -- that we all construct delicate fictions to mask the dehumanization of modern life -- proves so elusive onscreen that by the last scene it has to be spelled out in a clumsy, didactic voice-over.
Ishiguro's book was an unconvincing blend of repressed romance and speculative fiction, with superficial too-polite prose and a clunky approach to narrative secrecy that wouldn't fool the gang on Scooby-Doo.