New York, New York - Movie Reviews - Rotten Tomatoes

New York, New York Reviews

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February 13, 2017
Scorsese delivers a stylish period piece, the actors are good, but the script has serious flaws. A good picture overall.
½ July 11, 2016
Seen yesterday , but don't remember that this movie did take that long....Strange ! Nothing wrong with De Niro's Performence ...but the songs and cabaret-stuff from Liza Minnelli was not my cup of Tea ! SOMDVD
May 28, 2016
Yeah, it's indulgent, but unlike An American in Paris, it never had me checking my watch.
May 2, 2016
New York, New York has that Scorcese feel-Robert DeNiro, great cinematography, New York as its own character. The real difference here pops up in the second half, when Liza Minnelli gives a very long, uneven musical number. Overall, it's a decent film with nostalgia that affects the director, but leaves little impact with me.
½ December 4, 2015
Liza and Robert were good together here but you kinda wonder why they didn't get together again. Good but becomes a little stale after some time.
November 2, 2015
I really tend to appreciate some of the lesser known or less appreciated Scorsese movies and I really appreciated this different movie in his catalog. Scorsese incorporates a lot of music in his films but this is the only time he really made a musical. DeNiro and Minnelli surprised me with how much great chemistry they have in this movie. Minnelli is always a ball of energy in any movie she appears in but she brings out a much warmer side from DeNiro. The music is great, the art direction, costumes, hair/make up, and sound are all great as well though it has some stretched out parts that may have needed some fine tuning
October 23, 2015
Even though it's artistic, it ends up being boring.
½ July 22, 2015
-IGNORE THIS "OUT OF FIVE" RATING
1.5/4
Maddening, disastrous musical with Robert De Niro and Liza Minnelli falling in love and then exceeding in the music business. Extremely long, incoherent, unpleasant mess. Only good production values and some amusing bits with De Niro save this otherwise hopeless and never ending film from a lower rating.
½ June 7, 2015
For Scorsese Obsessives Only

If you worship Martin Scorsese, then maybe you think this movie is a masterpiece, or whatever.

But, if you are anyone else, you are likely going to find two-and-a-half hours of Robert De Niro and Liza Minnelli endlessly yelling at each other VERY hard to take! They pretty much just argue constantly. And, De Niro seems like he's playing a character so unlikable, it's like he's warming up for "Raging Bull." He treats Minnelli like garbage, and you just want to take a baseball bat to him pretty much throughout the whole film.

The Kander and Ebb songs are great. And, some of the music staging works very well. But, that's pretty much it. One conceit is that Scorsese seems to be wanting to recreate that shot-on-a-backlot feeling. But, for someone from New York City, it definitely seems odd that Scorsese is shooting this movie pretty much anywhere BUT New York City!

I think this is the movie where Scorsese said he was hopped up on drugs the whole time. Not much of an excuse, considering he was spending other people's money.

The only good thing to come from this movie is that the song "New York, New York Theme" which was soon after recorded by Frank Sinatra.
May 14, 2015
Not a bad film but could have been a lot more concise had they not had to shoehorn in a load of broadway musical songs to keep Minelli happy. I though that this could have also given across a strong message regarding abusive relationships but completely failed to, perhaps instead trying to show us how things were at the cost of us not liking the main characters very much and upsetting the feminist element.
½ April 11, 2015
A major cinematic error, but there are moments that are cinematic magic.
October 16, 2014
never knew the story behind this song! loved the story, very long movie though...
September 18, 2014
terrific music; not much chemistry between Liza and De Niro.
August 3, 2014
Martin Scorsese is king of the hill once again with "New York, New York".
½ June 23, 2014
VRAIMENT PLATE !!!!
C'EST BEN CON , JE L'AI DĂJĂ VU , JE VEUX PAS LE VOIR PIS CHU OBLIGĂ DE METTRE UNE FUCKING 1/2 â~ !!!
CE FILM PLATE LA VAUT MĂME PAS ...
½ June 11, 2014
A good homage to old musicals by the great Martin Scorsese. Liza Minnelli and Robert De Niro are both really good although his character is such an asshole. The music is good and the song New York, New York was written for the movie although it was made famous by Frank Sinatra. When this was released it did not receive critical acclaim as Taxi Driver did which lead Martin Scorsese to go into a cocaine addiction which was later broken before making Raging Bull. I am not sure why not that many people liked it because it is a good, but not great, movie. If you are a Scorsese fan like I am, this is worth a look.
June 1, 2014
It's a slow film about show biz getting in the way of two lovers. Both stars do great, and the music scenes are extremely entertaining. But the film has some pacing problems that causes some scenes to bore you. But overall, I found it sad and moving as we watch these two lives rise and fall together. Could've been a masterpiece if it fixed some of its big mistakes.
½ May 27, 2014
Martin Scorsese's attempt at a big budget musical drama film, New York, New York sounded like an innovative project worth a viewing.

New York, New York moves at a consistently slow pace which proves to be one of the central causes of its negativity. It is clear that Martin Scorsese had a lot of ambition making the film because in all honesty it does have a lot of visual appeal, but it fails to overshadow the thin nature of its story and the slow pacing. New York, New York does not have an innovative or original story, it is simply a basic love story in the setting of the titular state of America about two people who are involved in the music scene. But surprisingly enough, the story is essentially bereft of any surprises and it really drags itself on for as long as it can. This is a problem because the story runs for a full 163 minutes and does it really slowly. Maybe I could have appreciated the film more if it ran for a lot less running time, for arguments sake lets say about 100 minutes, but since this isn't the case we are simply left with a slow and long romantic drama film which is good in parts but as a whole does not have the effect that it truly wants to.
Martin Scorsese has acknowledged that this film is largely an experiment, and it is one that was successful in certain ways while not so much in others. And while I admire him for going out on a wire and attempting something new with his style of filmmaking, Earl Mac Rauch was unable to do the same thing with the story. New York, New York has a very dull premise and while it has some good dramatic moments and the characters are good, it is not nearly enough to overshadow just how thin the concept of the story is and the fact that it cannot transcend the limitations of a basic romantic drama. Really, New York, New York feels a lot like a watered down version of Cabaret since the story is another romantic drama in the musical scene starring Academy Award winner Liza Minelli, but it lacks enough entertaining events and dynamics to justify its pace and length. But it does have a few positive elements of its own.
New York, New York is good because of director Martin Scorsese. During the 1970's his career kicked off, and it was largely due to his lack of fear in making gritty films such as Mean Streets and the controversial masterpiece Taxi Driver. In New York, New York, he refuses to make his project a generic musical film and decides to go out and handle the material honestly as if it was a true story. Even though he handles it as slowly as things move in the real world, he gives the material an edgy and effective treatment which makes it appropriately gritty as well as passionate. So although the story in New York, New York isn't that great, Martin Scorsese does what he can to it to make it work and has some success.
Visually, New York, New York is terrific. It is mostly filmed at night and on location in New York City, capturing the focus on the kind of night life offered. And in the process it reveals Martin Scorsese's eye for great imagery by capitalising on a lot of terrific art direction and scenery which is lit up nicely and filmed with cinematography which captures the grand spectacle of things and proves to be atmospheric. New York, New York is visually terrific and even though its scenery is limited it is constantly given terrific art direction and allows for a lot of life to naturally brew up.
And while the story in New York, New York is weak, there is a lot of strong dialogue which means that the actors naturally let all of their talent out with ease.
Liza Minelli is the clear standout in New York, New York. Despite playing up against Robert De Niro in a Martin Scorsese movie, the screen is always stolen by Liza Minelli because of her youthful charm and her natural beauty. Liza Minelli has a really pretty face which lights up the screen, and she also creates a very likable persona for her character Francine Evans making her a sympathetic figure. And when she sings, she puts in all the passion she has in her heart which is impressive. Liza Minelli's dedication to the character Francine Evans proves to be no challenge for her because she clearly enjoys the dramatic material and loves the chance to prove herself as an actress. Liza Minelli is wonderful in New York, New York, and she makes it memorable as a medium for her Academy Award winning acting talents.
Robert De Niro also gives a strong effort in New York, New York. Although it is not the finest of his collaborations with director Martin Scorsese, Robert De Niro gives a performance in the role of Jimmy Doyle which feels almost like it is actually him that he is playing. His leading performance constantly has a sense of uncertainty to his characterisation of Jimmy Doyle, and he characterises him almost as a noir-like figure with a passion for the saxophone. Robert De Niro makes New York, New York a front for not just his natural charisma as an actor but also his talent for music, and he has no trouble whatsoever with succeeding in the role. His chemistry with Liza Minelli is also very interesting because of how there is no real way to tell what is going to come of it.

But despite some talented acting and Martin Scorsese's keen eye for powerful imagery, New York, New York has a story which is too unoriginal for its own good as well as a tedious length and pacing which is far too slow for it to be actually consistently entertaining.
½ May 13, 2014
This movie is kind of fascinating, as it's kind of the spiritual predecessor to Raging Bull set to a musical. Although it's not so much a musical as a movie with scenes with Liza Minnelli singing in it. Would have loved to see De Niro try singing in this. Both De Niro and Minelli are fanatasic, De Niro with his usual beneath the surface rage and Minelli with her singing and also her acting. The character of Jimmy Doyle does feel like a spiritual predecessor to Jake La Motta (and much like Travis Bickle feels like one to Doyle).
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