The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Marvel at the movie's cheerful idiocy, which seems definitive -- even though the summer season has just begun -- and at the efficiency with which the filmmakers have dumbed down a dumb premise of proven success.
In bringing history, literally, to life, and having as much fun with it as it is computer-graphically possible to have, director Shawn Levy and Reno 911 writers Robert Ben Garant and Thomas Lennon at least make [Museum] worth noticing.
Adults have the choice of either admiring the scenery or taking a nap. There's not much else worth doing. Certainly, paying attention to the story is an exercise in futility, but you're welcome to try...
Once these creatures do come to life for a second outing, the promise soon evaporates and the clever comedy, built largely on crisscrossing anachronisms and various sly cultural references, is not enough to sustain a romp that is all rather predictable.
Battle of the Smithsonian is packed with odd characters, eccentric arguments and ornate special effects, and while it's never transcendently funny enough to be seriously impressive, it is chock full of family-friendly giggles.
Has the kind of laughs that might convince you that nothing is as bad as it seems: the movie is no masterpiece but if you could plug its good nature into the national grid you could probably keep Birmingham alight for a month.
Watching historical figures enact the cliches identified with the most simplistic versions of their images, I found myself yet once again echoing the frequent cry of Gene Siskel: Why not just give us a documentary of the same actors having lunch?
So many new characters have been added to the ones who appeared in the original film, and director Shawn Levy flits between them at such a zippy pace, no one gets much of a chance to register. And that's a huge waste of the comic talents amassed [here].
Bigger, longer, and even more chaotically crowded (more stars! more f/x!) than its predecessor, Night at the Museum: Battle of the Smithsonian proves that adding another ring doesn't make for a better circus.
Though it's a little slow to start and some of the humor clunks, the film features a wholesome charm, some truly dazzling effects (the Lincoln Memorial alone is worth it), and enough mild, parent-nip in-jokes to keep all but the stone-hearted happy.