The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
When the movie ended, a woman approached; like me, she had seen it on her own and I think she felt compelled to debrief with someone. "Wasn't that the saddest thing?" she asked, shaking her head. "It was," I agreed. "It really was."
The Immigrant functions quite impressively as a character piece (or pieces, as the film is as much about Bruno as Ewa), a condemnation of the subjugation of foreigners and as a uniquely beautiful period piece.
What's difficult to encapsulate is the vivid emotion that underpins this story, or the depths suggested by the close-ups of the remarkable Cotillard that explain her complex state as well as recalling the golden era of 1930s Hollywood cinematography.