Nights of Cabiria (Le Notti di Cabiria)1957
Nights of Cabiria (Le Notti di Cabiria) (1957)
Nights of Cabiria (Le Notti di Cabiria) Photos
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as Oscar D'Onofrio
as Alberto Lazzari
as The Monk
as Amleto's Uncle
as Man Eating in the Nightclub
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Critic Reviews for Nights of Cabiria (Le Notti di Cabiria)
In 1957, Fellini was still as indebted to neo-realism as to surrealism, and this melancholy tale of a prostitute working the outskirts of Rome is notable for its straightforward depiction of destitution.
What makes the character so poignant is that her final fortification is not her street wisdom -- that's all surface -- but her innocence. Her ultimate protection is our sympathy for her.
Even in the mutilated version of the film, Masina shone and sparkled in her shabby role.
Through [Masina's] unforgettable performance, Cabiria will endure as long as anyone cares to watch transcendence projected on a screen.
A deep, wrenching and eloquent filmgoing experience.
Audience Reviews for Nights of Cabiria (Le Notti di Cabiria)
Giulietta Masina should be forever remembered for her flawless performance in this profoundly touching and devastating tragicomic masterpiece, making us root for her character and her happiness in such a way that it is hard to be left unmoved by what unfolds before us.
Giulietta Masina ("La strada") is absolutely devastating in her role as the titular Cabiria in "Nights of Cabiria" (and when I say devastating, I mean it only in the best sense). Cabiria is quite a character to say the least. A prostitute who puts on a big loud and tough exterior yet is almost fatally naive when it comes to love. In an opening scene, her boyfriend robs her and pushes her in the river to drown. She tries to play it off as an accident, a lover's tiff, but her friends know better. All of her mannerisms suggest someone who's putting on an act, and it doesn't feel as if we're ever allowed to see the "real" Cabiria. Well, almost. Towards the end of the film, we're shown (quite intentionally by director Federico Fellini) the true motivations of certain characters. It's this foreshadowing, allowing the audience in on things, that makes it so heartbreaking when Cabiria finally catches on. Cabiria is all the innocence of the world that we must so desperately cling to, in order to preserve even the slightest remainder of it. Giulietta Masina was married to Fellini for many years and it's through her we see his unique world view focused. Nights of Cabiria features many Fellini signatures: the robust yet voluptious woman, the skeletal structure silhouetted against the sky, and the seemingly random parade of fools, which in Cabiria's world, signals the final triumph of innocence over cynicism: that even in the darkest hour, we can be swayed to smile by the music of children, if it is truly in our nature to do so.
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