The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
This column has generally no quarrel with scene-to-scene entertainment, serving a legitimate demand for relaxation, though it adds up to nothing. But the entertaining gags of this picture add up to something, and it is not pleasant.
This one is neither crude clowning nor crude prejudice, but a literate and knowingly directed satire which lands many a shrewd crack about phony Five Year Plans, collective farms, Communist jargon and pseudo-scientific gab.
This was Garbo's first comedy and second last film. And it's a unique role for her, first because she starts off as a dour, cold comrade with no sense of humour, and second because she laughs herself into a love of capitalist vices.
MGM announced to the world: Garbo Laughs! In a major departure from her screen image, Garbo brings incredibly sensual abandon to her role of a glum, scientifically trained Bolshevik envoy who succumbs to Parisian decadence of romance and champagne.