The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
As much as the film is about Bardem's even-keeled determination... it's also about Tommy Lee Jones' brilliantly characterized Texas sheriff, who, faced with a trail of blood like he's never seen, wonders if he's still a match for a changing world.
Don't be put off with all of the mentions of violence. Yes, bloodletting is at the core of the movie, and the ending is as downbeat as the opening scenes. But, gosh, you know you have been to see a great film.
It's an instant classic, as thrilling as it is quiet and hypnotic, and all the more powerful for anchoring a story with essentially three characters, none of whom share the frame together, being, how they are, one small step behind the other.
Seventy minutes into the film, there's a rude burst of mariachi music as the hero awakes... That wouldn't be worth noting, except that we suddenly realize that for the first tense, suspense-filled hour of the film there has been no music at all.
There are constant twists and turns, eventually straining credulity, but there's also -- and typically for The Coens -- a salutary quorum of absurdist dialogue, black humour and wryly memorable exchanges.
No Country for Old Men is wide and dusty and terribly bleak. It's beautifully photographed and assembled, with great performances from its lead players and a number of welcome appearances by actors we haven't seen enough of lately.