The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
It falls short of brilliant but it's a lot more daring than what passes for 'dark comedy' these days, and it reminds us that 'feel bad' comedies may not always be as funny as 'feel good' ones but, when they work, they can ultimately be more satisfying.
[T]he upbeat ending--which comes on the heels of a genuinely shocking climax--is so incongruous that, as with The King of Comedy, it almost seems we're being dared to question whether it is real or delusion.
[Director] Hill evidently intends his film to be satirical. But satire requires intelligence to succeed. Observe and Report has a moronic sense of humour, trading in racism, sexism, profanity and violence at every predictable turn.
Observe and Report is the evil twin of Paul Blart, which had a soft heart but no nerve. This flick is almost criminally cynical, but delinquents will think there's something arresting about a movie whose mission is disturbing the peace.
Something of a cross between the formalist whimsy of Wes Anderson and the God's-lonely-man psychosis of Taxi Driver, the film breaks all the rules, but the tonal schizophrenia that results isn't an accident.
There won't be a more polarizing comedy released in 2009 than Observe and Report. This audacious, subversive action comedy turns two of our cuddliest performers, Seth Rogen and Anna Faris, into poster kids for atrocious misbehavior.
[Director Jody] Hill can create only one sort of protagonist, and half the time he's stuck in a gray area between satirizing the firearms-obsessed, multidirectionally offensive Ronnie and embracing him.
Observe and Report is the rare 'action-comedy' (almost always a muddled hybrid) that earns its cathartic climax. The blood is real because the psychosis is real. But somehow -- the magic of comedy -- it's also uproarious.