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Critics Consensus: On Chesil Beach presents a well-acted and solidly crafted adaptation of a small yet resonant story with deceptively rich subtext.
Critic Consensus: On Chesil Beach presents a well-acted and solidly crafted adaptation of a small yet resonant story with deceptively rich subtext.
All Critics (147) | Top Critics (30) | Fresh (100) | Rotten (47)
"On Chesil Beach" is PBS-tasteful in its approach, but its power rests in a restraint that makes what it builds to all the more moving.
What had been impossibly sweet becomes simply impossible, and old-fashioned mores prove unsuited to the task of navigating the emotional morass.
"On Chesil Beach" clumsily deals with the issues it addresses.
What a prestigious, understated, classy inducement to take a nap.
There's splendid acting across the board and assured direction by Cooke, a stage veteran making his feature debut...
What worked on the page, more or less, struggles on screen...
If these two actors were appearing together in a modern romance their characters' Facebook relationship status would read, "It's complicated."
Florence and Edward are obviously in love, and perfectly at ease with the idea of spending the rest of their lives together, if only they can get through the wedding night.
Although the film follows its lead couple in being a bit too polite at first, "On Chesil Beach" grows into a drama as provocative as it is elegant.
"On Chesil Beach" looks like a tasteful period piece you might rent with mom, but things take a graphic turn, and you do not want to have a family member in the room with you when they do.
There's an unnecessary epilogue but On Chesil Beach is still a moving character study about two people who struggle to express emotion.
"On Chesil Beach" is both a lovely story and a heartbreaking one. Ronan and Howle bring such strength and depth to their performances that you can't help rooting for them.
Although it is easy to become frustrated by the characters' immaturity, especially as we get deeper into the nature of their decisions, there is no denying how the remarkable complexity of their feelings drives everything we see here into a first-rate portrait of sexual frigidity.
Super Reviewer
Blow me over and spank me surprised, but I guess watching stuffy British people in the 1960's deal with their sexual fragility makes for a fairly underwhelming cinematic experience. Saoirse Ronan is on top of the A-list after all of the Oscar buzz surrounding Brooklyn and Lady Bird. I'm assuming she told her agent, "find me more roles where I wear pretty dresses and have an accent." So if you're searching for some Soairse, 'Pon hmChezil Behch 'rather (one of the most British sounding film titles ever) might just be your spot of tea. However, if you tire of taciturn ennui like me, you may defer to the malodorous Tulip Fever for at least a few fragrant gaffes and flagrant laughs amidst your period-set anti-romance movie. I think Ronan and her male costar Billy Howle are at least giving this melodrama some genuine effort, and on a baseline technical level, there are some really good shots and production design. Past that, to constantly stop the centerpiece scene with out of order flashbacks, then flashbacks within flashbacks, then several flash-forwards probably looked fine on paper, but here it is structurally unsound and betrays the pacing of the film. Not only does it undercut the narrative flow, but it makes every interaction in this pivotal breaking point of a couple's relationship look even more simultaneously boring, perplexing, and laughable. Then there's the third act. Good lord, the poor frigid pooch is screwed to death here with a heavy-handed callback to a throwaway scene from earlier in the film. This might not be so bad if they hadn't done it with everybody in aged prosthesis. I don't know how this might have looked in the theater, but on Blu-ray it looks like ass, like crusty band-aids on the caked foundation of several squished together flabby asses. So all of these flashbacks that are haphazardly establishing some sort of build up to the horn dog and the prude getting rude with each other pay off in one of the corniest, most impotent fashions. Oh well, at least Howle's character got a climax before this feckless affair ended.
I've always maintained that the things I admire most about movies is their constant ability to surprise me by telling a similar story in a different way. On Chesil Beach is one of those movies that presents a common story, a couple going through marital issues, but in a strikingly bold manner. Not only does the film make some brilliant choices narratively, but its performances and direction come from a refreshingly honest take. Never once did I believe this was a movie couple going through the motions as two actors acting out written sequences. This felt like a real life story being told through flashbacks and a bare bones script. I've never quite seen a film present such a detailed look at first love and first sexual encounter in the way "On Chesil Beach" does. The results are both touching and devastating. I love the way Dominic Cooke slowly but surely presents their "first night" with interlocking flashbacks to flesh out why these people are acting the way they do. On some levels, it's an awkward watch, but others it's an eye opening reminder about the reasons relationships begin and end & vice versa. Released quietly in theaters, it won't likely draw a ton of Oscar buzz, but there are a few scenes that I soon won't forget, in what could be the most earnest romantic film of 2018. 8.6/10
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