On Dangerous Ground

Critics Consensus

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94%

TOMATOMETER

Total Count: 16

79%

Audience Score

User Ratings: 1,145
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Movie Info

Robert Ryan plays Jim Wilson, a tough police detective embittered by years of dealing with low-life urban scum, in Nicholas Ray's moving film noir. After severely beating several suspects, Jim is assigned to a case far from the city to find the killer of a young girl. Joining the manhunt, in snow-covered terrain, Wilson finds himself paired with the victim's father, Walter Brent (Ward Bond), who plans to shoot the killer himself. When the two men come upon a cabin occupied by Mary Malden (Ida Lupino), a blind woman who is also the killer's sister, Wilson's life is changed forever. Mary, a generous and loving person who has cared for her mentally ill brother Danny (Sumner Williams) since the death of their parents, convinces Wilson to protect Danny from Brent. Wilson also promises to get help for Danny if he surrenders to him. Inspired by Mary's courage and recognizing Brent's rage as the mirror image of his own, Wilson gains the insight to free himself from his own blindness. The film includes a memorable score by Alfred Hitchcock favorite Bernard Herrmann. ~ Rovi

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Critic Reviews for On Dangerous Ground

All Critics (16) | Top Critics (1)

Audience Reviews for On Dangerous Ground

  • Apr 01, 2016
    Now thats a GREAT movie!!!
    Brody M Super Reviewer
  • Apr 01, 2016
    A very unusual film noir with it's change halfway through, brief moments of hand-held camera and the lead female is actually a tool of salvation. Very convincing story and acting from both Ida Lupino and Robert Ryan. Lupino also took the directing reigns for a while when Nicholas Ray took ill.
    a z Super Reviewer
  • Apr 01, 2016
    Atmospheric noir mood piece with excellent work by greats Robert Ryan and Ida Lupino with an evocative score by Bernard Hermann, reportedly his favorite of all his work.
    jay n Super Reviewer
  • Apr 01, 2016
    Really interesting Noir from Nicholas Ray. It's sort of the Dusk till Dawn of it's day. It's a picture of two distinct halves. The first a police film. The second a chase. It's easy to see why this film, with it's early use of hand held camera was an inspiration for the French new wave. As Godard said "Nicholas Ray is cinema"
    Ken S Super Reviewer

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