Le Bossu (1997)
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as Philippe d'Orleans
Critic Reviews for Le Bossu
A big, gorgeous, sprawling swashbuckler that delivers its diversions in grand, uncomplicated fashion.
The sword fighting is well done and Auteuil is a goofy pleasure.
This is, not to put too fine a point on it, a swashbuckler, a costume drama. If you love that old story form, you will be in old-fogy heaven, as it is nearly a perfect example of a genre that died out years ago.
A splendid entertainment, young in spirit but accomplished in all aspects with the fullness of spirit and sense of ease that comes only with experience.
Audience Reviews for Le Bossu
As someone who doesn't make enough effort to track down the movies he'd really like to see, and who rarely troubles to watch anything a second time, the fact that I've now seen Le Bossu three times - having actively hunted for it on two of those three occasions(!) - must mean that I'm rather fond of it. Yes, some of the plot developments take a little swallowing, the love story is kind of kinky and the film never quite recovers from the loss of Vincent Perez, but it's romantic to a fault, the period recreation is exquisite, the performances are delightful and there's literally an exciting twist or turn every five or so minutes. What I admire most about Le Bossu, however, is that it's a textbook example of that seemingly effortless French lightness of touch which Hollywood invariably translates into indigestible stodge. Daniel Auteuil is wonderful here.
outlandish but loads of fun. the kind of film i thought they didn't make anymore: swashbuckling in grand style!
Fun to watch & nothing more
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