Mary Poppins Returns
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No consensus yet.
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All Critics (74)
| Top Critics (21)
| Fresh (68)
| Rotten (6)
Ceylan's own growing reputation will, I hope, continue to grow. He uses the realistic film as an avenue to what lies around and beyond the realism.
It runs 157 minutes, and I can't say you don't feel them. You do - but in the way you would, reading a very good book in an uncomfortable chair.
A movie of such dark, smoldering intensity that it's easy to forget that half of it takes place in near darkness.
A police procedural as existential inquiry, set in a remote dreamscape of mystery and foreboding.
Ceylan's visual style is less heightened, more down-to-earth than the more stylised 'Three Monkeys', but still some of the night-time scenes look like careful paintings, such is the precision of their lighting and composition.
Ceylan doesn't slap us with big dramatic moments, but allows us to live along with his characters as things occur to them.
Those that can embrace its patient, visually-enthralling style and sparse, yet affecting dialogue will be rewarded with a film of grand ambition, delving deep into the human condition and questioning our very moral fabric.
A profoundly beautiful film that revels in the lyrical and the mundane, and suggests that art does transcend the futility of existence.
To watch this film requires some patience, but it's an excellent examination of people in a high stress situation.
While Gökhan Tiryaki's cinematography is phenomenal, the film is, at its best, a wasted opportunity.
Uma obra encantadora e hipnótica.
This is a very slow-moving movie, but it also has its attractions, such as its beautiful cinematography by Gökhan Tiryaki, particularly the wide angle shots showing the vastness of the Turkish landscape.
An absorbing drama that relies on an engaging dialogue and a peculiar sense of humor, following a group of characters in a crime investigation as they talk about trivial things and reveal a lot about themselves in the process - and it boasts an impressive sound design and astonishing cinematography.
This beautifully shot Turkish film puts a lot of responsibility on the viewer - it asks you to be patient and to find a point within seeming pointlessness. A simple (and arguably overlong) tale that seems to take place in rural Turkey but actually takes place solely within the psyches of its characters, audiences are asked to forget what they know about film narrative and find out more about human interactions and how people deal with the truth and accept that the truth may never be knowable.
to call this a police procedural or crime drama seems wrong but i don't know how else one would describe it in genre terms. it's gorgeous, mysterious and rewards patience
'Once Upon a Time in Anatolia'. Slow burning, but oh-so-absorbing! A most beautiful look at the mundane that is life.
Every frame of that first hour and a bit is a painting waiting to be sold. Exquisite composition and cinematography, with many a long take emphasising the beauty of the rolling hills against the slow-moving people and cars.
Every take is a patient one. Life isn't quick cuts and dramatic reveals. We're forced [I mean it in the best possible way, but others will say it's in the worst] to experience the banality these men go through.
Clearly this is masterful screen-writing and direction, because I was leaning forward, on the edge of my seat the whole way through, while the sighs and fidgeting echoed around me.
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