Once upon a Time in Mexico - Movie Reviews - Rotten Tomatoes

Once upon a Time in Mexico Reviews

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½ June 25, 2017
A western with a modern twist. some great action scenes, the guitar rocket launcher and flame thrower were awesome
April 4, 2017
one of my all time fav action movies
January 22, 2017
A good action. Good cast. Wish they elaborated more on the death of Salma Hayek's character.
January 17, 2017
Pretty good. It's no Desperado but definitely kept me entertained.
August 23, 2016
Great to watch if you don't have something better to do, awful if you're looking for any sort of innovation.
July 21, 2016
An exciting sequel to El Mariachi and Desperado from director Robert Rodriquez. What an entertaining action film!
½ July 18, 2016
With El Mariachi (1992) and Desperado (1995) presenting an impressive two examples of Robert Rodriguez's signature film style, Once Upon a Time in Mexico sounded like it only had more power to offer.

Once Upon a Time in Mexico is the third entry into Robert Rodriguez's Mariachi trilogy, his own equivalent of Sergio Leone's Dollars trilogy (1964 - 1966). Both trilogies present a violent western setting and get larger in scale with each entry, meaning that Once Upon a Time in Mexico is the most ambitious film in the series. This proves both beneficial and detrimental to the film in parts, and audiences are likely to find themselves divided as to which side they lean towards. El Mariachi was a thoroughly simple film with a self-aware basic premise while Desperado was a more energetic exploitation of a larger budget. With Once Upon a Time in Mexico, the budget jumps to all new heights and so does the ambition. This means a larger-scale story, more characters and more fancy set pieces. Alas, it detracts from the simplicity that made the prior two entries so great.
Once Upon a Time in Mexico is packed full of so many characters who all play different roles in a complicated story which still wants to fit into a mere 97 minute running time. At heart the film is a simple western story, but it smothers any such simplicity beneath an abundance of characters who all have their own story to them. As far as I can ascertain, every character has the ambition to kill someone as their main goal. That makes it easier to embrace, but even then the experience is proudly overblown and convoluted. Attempting to fit everyone into a singular story means that the Mariachi who lad the first two stories becomes a supporting character in Once Upon a Time in Mexico. There are several interesting characters in the film, but El Mariachi is the original hero and his treatment in this film is likely to prove less-than satisfying to fans. The man has a rich tale of vengeance in his part of the narrative due to his wife Carolina and their daughter being murdered, but this is reduced to a modicum of simple flashbacks and action scenes with no moments of real characterization. Then again there is really no depth in the film and it doesn't pretend like there is any since it is far more focused on being a fun experience. There is no denying that it succeeds in doing so, but audiences have to disregard any hope of tracking the story if they wish to embrace the director's intentions.
As a straight up fan or Robert Rodriguez, I had no problem doing this. The more intellectual parts of my brain desired more, but it doesn't take a genius to tell that Robert Rodriguez does not make films to challenge audience intelligence. He makes them on the basis of his own technical expertise so that viewers can have a fun, violent experience. That's exactly what Once Upon a Time in Mexico is, and it's a glorious one which has the serious nature of a solid action film with a consistent humourous feeling that offers nostalgia to Mexploitation cinema. The jump made from El Mariachi to Desperado goes to all new heights in Once Upon a Time in Mexico, and while characterization does not make the same leap there is no shortage of action-fuelled creativity which is what the audiences have come to see. The scenery for the film provides a flawless Mexican backdrop full of interesting buildings and an ideal western colour scheme, and the cinematography manages to capture the large scale of it all very nicely. The use of close-ups also manages to provide a direct perspective on the facial expressions of the actors which helps to carry over the intensity of their performances. The use of these techniques comes in handy during the action scenes which use an endless array of shootouts and explosions to keep the glory of the film burning. Once Upon a Time in Mexico uses brilliantly stylish action to boast what the director can do with a huge budget, and while there are moments where the quick cuts can be a little too fast it is hardly major enough to elicit any real complaints. Much of the film is cut together like a music video which is distinctive of Robert Rodriguez, and the musical score maintains a perfectly culturally relevant feeling with high-octane energy to support it all. Once Upon a Time in Mexico carries a soundtrack with the use of actual Mariachi music crafted in an ideal action form, and so its very much a treat on the ears as well as the eyes.
Even without complete understanding of the story, the script in Once Upon a Time in Mexico features enticing characters. Nobody is a law-abider, and everyone has their own reasons why. However, they keep this a secret and simply have fun with a sadistic exploration of their own power. This ensures that almost every character is interesting in some form, and it offers the cast a chance to exercise their natural talents in roles which really demand it.
Johnny Depp is the show-stealer in Once Upon a Time in Mexico. The Academy Award-nominee is an actor of unrelenting notoriousness, so seeing him in a mercilessly commercial vehicle like Once Upon a Time in Mexico is an interesting change of pace. It is a role built for him as it is not so much a deep and complex character as it is a simple man of crime who needs the right actor to fuel the part. Johnny Depp is the perfect actor because he speaks his words with flawless confidence which just commands the role, and he is able to oscillate between joking and threatening without ever losing sight of his serious nature. Johnny Depp sinks deeply into his role and captivates audiences into loving him regardless of his merciless nature, and as the film goes on he manages to provide more and more comedic material while retaining tension in the role, proving his worth as a legitimate actor, many of comedy, action hero and threatening villain all in the confines of a single film. Johnny Depp portrays one of the most entertaining characters to ever come out of a Robert Rodriguez film, and its really one of his most entertaining roles.
Antonio Banderas is solid once again. Despite the fact that El Mariachi has minimized relevance in Once Upon a Time in Mexico which reduces the exposure we get to the man's talents, Antonio Banderas once again brings along the raw intense passion to the role. As a result, he is a merciless action hero and a suave man of seductive charm all over again. There isn't much new introduced to the character, but Antonio Banderas' natural charms do a service to the film and its fans by showing his remarkable physical energy and the intense chemistry he shares with his surrounding cast.
Willem Dafoe is the third standout of Once Upon a Time in Mexico. Though he is one villain of many in the story, Willem Dafoe is an actor with a legacy for portraying twisted and creepy characters. Once Upon a Time in Mexico capitalizes on this and puts him in the role of the powerful Armando Barillo. Willem Dafoe conveys a fearless sadism in his part, and the creepy smile he brings along leaves audiences wondering what sick and twisted thoughts are going on inside his head. Willem Dafoe's small role in Once Upon a Time in Mexico is another reminder of his natural skill for antagonism, and amid many bad guys he stands as one of the more memorable.
Salma Hayek's role in the story is unexpectedly minimal, but her determined physical energy makes her a
worthwhile addition to the film. Danny Trejo is a perfectly cast villain as always and its great to see Mickey Rourke return to mainstream cinema with the natural flow of line delivery and confidence which made him a star in the first place. Cheech Marin is also a welcome cast member as he is in any Robert Rodriguez film.

Once Upon a Time in Mexico may be a change of formula for the series which comes with more cast members than story development, but its extensively talented actors and high-voltage stylish direction from Robert Rodriguez makes it a climactic finale for the Mariachi Trilogy.
½ April 11, 2016
There is a point within 2003s Once Upon A Time In Mexico that writer/director Robert Rodriguez seems to have bitten off more than he can chew. In the middle of a motorbike chase the editing is chaotic, the music is loud and our hero (who we have been following for two other films now) is almost lost in all the action. This may seem sufficient but with his third chapter of the "Mexico Trilogy", Rodriguez went in the direction to make the hero a side character and fill the remainder of the plot with shady agents (played pitch perfectly by Johnny Depp), presidents and drug cartels in a story that has all of Mexico at stake. Just as everything is about to fold over like a baddy in a gunfight, Rodriguez's juxtaposing vignettes interweave into a fun, sometimes campy (Willem Dafoe as a Mexican drug cartel is Charlton Heston/Touch of Evil fun), culmination of a story that has shown real growth within the filmmaker-ensuring that this Mariachi story is a nice one to end off on riding into the sunset.
½ March 26, 2016
Rodriguez's El Mariachi trilogy rounds out with this minor epic. The pace is relentless and the story convoluted, but the set pieces are characteristically inventive, over-the-top and fun.
January 5, 2016
Overly complicated and unsatisfying end, after such and awesome entry as Desperado. But there is some great set pieces and an awesome cast.
½ December 20, 2015
Cast is awesome superior to desperado.
½ December 9, 2015
Saw this on 9/12/15
A lesser sequel to Desperado, but one with Depp as the saving grace in a character and mannerism that's memorable. The film has some well shot fight sequences in the first half , but towards the end, it feels rushed off and scenes without Depp feel empty and pointless. There is not much of a plot in here and at times a few of the fast editing is simply irritating.
November 21, 2015
El Mariachi (Antonio Banderas) is recruited by CIA agent Sheldon Sands (Johnny Depp) to kill General Emiliano Marquez, a corrupt Mexican Army officer who has been hired by Mexican drug lord Armando Barillo (Willem Dafoe) to assassinate the President of Mexico and overthrow the government. Many years before, El Mariachi and his wife Carolina (Salma Hayek) confronted Marquez in a shootout and wounded the general; in retaliation, Marquez took the lives of Carolina and their daughter in an ambush. In addition to El Mariachi, Sands persuades former FBI agent Jorge Ramírez to come out of retirement and kill Barillo, who had murdered his partner Archuleta in the past. Furthermore, AFN operative Ajedrez is assigned by Sands to tail Barillo. While monitoring Barillo's activities, Ramírez meets Billy Chambers (Mickey Rourke), an American fugitive who has been living under the protection of Barillo, but can no longer stomach the horrible tasks he's been forced to carry out for him. Ramírez convinces Chambers he will provide him protection in exchange for getting closer to Barillo by tagging Chambers' pet chihuahua with a hidden microphone, and Chambers agrees to complete the deal by surrendering to U.S. authorities once Barillo has been taken down. Cucuy (Danny Trejo), who was originally hired by Sands to keep an eye on El Mariachi, tranquilizes El Mariachi and brings him to Barillo's mansion. Cucuy, however, is promptly killed by Chambers while El Mariachi escapes from captivity and calls his friends Lorenzo and Fideo to assist him in his mission...

"Once Upon A Time In Mexico" was written, produced, edited, cinematographied, scored, and directed by the one man army Robert Rodriguez. It is the third and final film in Rodriguez's Mexico Trilogy, and is a sequel to "El Mariachi" and "Desperado". While the mentioned movies hold its own wihtin the action genre, "Once Upon A Time In Mexico" is just a bleak over the top flick with a star spangled cast that really doesn´t add anything to the film. The plot is messy and the desperation of making crazy cartoony action sequences kills the general vibe and it becomes just too much in my eyes. It´s not entertaining or cool. And Johnny Depp´s "strange" characters were tiresome already back then and by adding ridiculous dialogue to his Sands it hardly helps. "Once Upon A Time In Mexico" has an inconsistent plot, horrible dialogue and pretty terrible acting. Nah, this was a missed swing from Rodriguez.
October 12, 2015
Jhonny Depp - didn't know he was in this. Once I knew, didn't stop watching. The "lead" pair has little to do, in terms of acting skills . Depp, though, is a rock star!! Cool, unrealistic, action.
Ok to watch.
June 30, 2015
A under the radar popcorn action adventure and Depp steals the movie with a grin.
June 15, 2015
i need to re-watch this lol
June 2, 2015
In 1992, Robert Rodriguez surprised audiences and critics with his low budget but promising directorial debut "El Mariachi", three years later he continue the story with mixed results in "Desperado" and in 2003 he ended the "Mexico Trilogy" with his version/attempt of "The Good, The Bad and The Ugly": Once Upon a Time In Mexico.
After the events of "Desperado", El Mariachi is contacted by a CIA agent called Sands who assigns him the suicide task to stop an overthrown of Mexico´s President.
The Mariachi Trilogy has been known for being campy, fun and exaggerated films so Robert Rodriguez decided to end his attempt/version of "The Dollars Trilogy" by making an epic conclusion but the result was less than stellar. "Once Upon a Time in Mexico" counts with all the fun/characteristic elements of its predecessor- The campy vibe, Rodriguez energetic/improvised directing is as good as last time, the inventive/over the top action sequences, acting that is fun to watch, and gorgeous locations- but this final installment takes them to a new level of absurdity by introducing a ridiculously overstuffed plot that takes away the charm of its predecessors, unnecessary characters, a handful of subplots that go nowhere, comedy that manages to get some laughs, bizarre and questionable choices, a laughable attempt to add some drama into this insane comedy/action film, a lackluster finale that's not worth all the buildup and El Mariachi is completely overshadowed by every character in this film, thus making this film a pointless addition to the "Mexico Trilogy". But even with all those issues, "Once Upon a Time" manages to remain fun throughout its running time, even if the quality is inferior compared to the first couple instalments of this trilogy.
"Once Upon a Time in Mexico" is straightforward fun and entertaining mess of a movie. In my opinion this is the weakest instalment of this fun trilogy but if you enjoy the last films you will definitely like this film more than I did. An average, mindless and creative action "flick" that's charming throughout its running time.
May 27, 2015
Robert Rodriguez capped off his Mariachi trilogy with his own version of "The Good, the Bad, and the Ugly." This is a cool action film that, like the film Rodriguez is clearly most influenced by here, focuses on three different major characters, and deals with a CIA agent who hires El Mariachi for an assassination job, and a former FBI agent...as they all get wrapped up in this coup-de-tat plot in Mexico. Not as strong a plot as the first two flicks in this series, perhaps a bit too complex with too many characters that aren't El Mariachi...but I thought it looked good for being shot in HD video, it feels big and epic, and it was a lot of fun.
½ May 1, 2015
Once upon a time in Mexico I got robbed by the cops. Once upon a few thousand times in Mexico I scored really potent drugs. Such are the exploits of a San Diego-born hooligan like me who saw Desperado about thirty times since I was sixteen. Was my code of conduct shaped and corrupted by the onscreen mayhem in the films of Rodriguez, Tarantino and Michael Mann? More importantly, do I care? Not enough to object to a great sequel like this. Here we have Johnny Depp doing a swell job making things interesting and funny, with priceless quips like "Are you a Mexi-can, or a Mexi-can't?"
½ March 3, 2015
Depp is the only saving grace of this misfire. I wouldnt ever call El Mariachi or Desperado high art, but they at least were cohesive on a visual level and knew what they were going for. This one is all over the place. Banderas is hardly in the movie, the plot has no tension as we really dont care for the characters. And the action was poorly paced this time around. One of the road fight scenes felt like it took years, even though it was supposed to be very quick. And Salma Hayek was really not even in the movie. Just predictable flashback scenes.

If your gonna direct an epic in scope movie about politics, CIA, and cartels. At least spend some money and make it look like a Hollywood film. No, explosions and slow mo dont do that automatically. The visuals had no weight/ It felt cheap and rushed. I know thats Rodriguez's thing, but it didn't work here.

Pass this one unless your a diehard Rodriguez fan.
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