The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Directors are always digging around in their psyches for material - David Lynch, Alejandro Jodorowsky, Lars von Trier ... Refn's anxiety seems out to top theirs. But there's no joy or folly or transcendence. It's a one-dimensional video game of death.
Where Drive shrewdly mystifies, Only God Forgives stupefies. You can see its gears grinding. But I'll always hang on for a rare talent like Refn. Even when he stumbles, he leaves you eager to see what he's up to next.
As always, Refn's style is captivating, but the fascination with extreme gore never amounts to more than a fetish, and there's none of the deft characterization that made his revered Pusher trilogy and British biopic Bronson so engaging.
It's not that overwrought violence and human depravity are unfit grist for art, but without a compelling plot and a modicum of character development, all this film has to offer is a repugnant prurience and heavy-handed atmospherics.