Operator Reviews

February 7, 2017
Begins as a very funny comedy, but its two lead performances (including the best work of Whitman's career) carry the film to uncommon insight into how we relate, emote and will always need the spontaneity of the human experience.
November 17, 2016
See it because it's uproarious and lyrical and (aha) human.
November 16, 2016
Emotionally engrossing if not 100% persuasive in its last act, it balances techno-alienation and warmth in ways that will resonate with art-house audiences.