The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Unfortunately, Oslo, August 31 is more of a step sideways than anything else, taking the easy way out with a drug-addiction narrative that helps Trier circumvent any major risks and thus preventing him from reaping any major rewards.
What sets Oslo, August 31st apart is the way it entwines the personal with the city: [Joachim] Trier understands that your story is tangled up in the story of the city and that the story of the city is tangled up in the story of its inhabitants.
With a predilection for long takes, alternating between tripod setups and handheld camera work that's reflective of Anders' unease, Trier presents life as an unceasingly tepid stream of the mundane -- with an occasional, exquisite pinprick of hope.