The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Lost in Rio wins giggles only when rubbing its spy milieu up against sheer randomness, but the sight of Dujardin's self-absorbed mug carving up a rubber crocodile for survivalist sustenance can only do so much.
I don't know about you, but I look to French films for stylish love stories and potent social dramas. I definitely don't look to Gallic movies for slapstick comedy, a genre at which the French are especially bad.
Spouting enough racist and anti-Semitic platitudes to incite unrest across the planet, this knockoff Bond's sheer delight is sorting out sinister political grossout swipes and brutal historical truths, from all the just plain silly fun.
Bolstering its rejuvenation of the '60s French spy spoof franchise, this sequel to "OSS 117: Cairo Nest of Spies" (2006) walks a fine line of non-politically correct comedy that grabs precarious laughs just before the gags hit the floor.
An amiable, Mel Brooks-style spoof that mercilessly satirises the gallic Bond's racism and breezy misogyny. Glamorous locations, expert production design and sly nods to the Swinging Sixties setting are all endearing.