Pale Flower (Kawaita hana) (1964)
Pale Flower (Kawaita hana) Photos
Critic Reviews for Pale Flower (Kawaita hana)
Director Masahiro Shinoda takes lots of chances, using close-ups and off-kilter edits to deepen his characters. A jazzy, avant-garde score throws things even more off balance.
Pale Flower sits comfortably as one of the darker noir films ever made
a lost yakuza classic, part Bob Le Flambeur, part Rebel Without a Cause, but with an ecstatic blankness all its own.
Audience Reviews for Pale Flower (Kawaita hana)
a fresh, unique take on the yakuza films of that time. the characters are not atypical, but the focus of this story really is. clan rivalry and looming violence permeates the story but the heart of it is about a romanticism that never quite finds its expression. the film is about the romantic timidity of otherwise confident and assertive people. the climax is so effective as we never really find out what we thought we wanted to know about "the pale flower" of the gangster world, but we're somehow ok with that because our main character is ok with that. a great film.
*sigh* '64 not '74. in a lonely place as directed by melville and set in tokyo
While the French were creating the new wave movement of the 50s-60s, Japanese studios were turning out bold, fresh, new films. The yakuza drama is as old as Japanese cinema itself, but director Masahiro Shinoda joins it with expressionism and shadowy western noir themes that lean more towards fate and love than your average gangster flick.
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