Pale Rider


Pale Rider

Critics Consensus

Nearly a decade after The Outlaw Josey Wales, Clint Eastwood returns as a director to the genre that made his name with this elegant, spiritual Western that riffs on the classic Shane.



Total Count: 25


Audience Score

User Ratings: 39,641
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Movie Info

Director Clint Eastwood draws on his experience to put together a western with winning components: the bad guys are corporate jerks out for a profit at the expense of Mother Nature, the good guys are poor but independent gold miners threatened by the corporation, the hero Preacher (Eastwood) is there to set things right, and he is beyond any of that romance stuff. Preacher's shady past is implied when he first comes into town and keeps his anonymity intact. He is sheltered by an unmarried duo, Hull and Sarah (Michael Moriarty and Carrie Snodgress), and soon pays them back by saving Hull from a few murderous thugs. Caught in the middle of the growing conflict, Preacher rallies the miners into a combative group and then goes on to final showdown in true "high noon" style.


Michael Moriarty
as Hull Barret
Carrie Snodgress
as Sarah Wheeler
Christopher Penn
as Josh LaHood
Richard Dysart
as Coy LaHood
Sydney Penny
as Megan Wheeler
Doug McGrath
as Spider Conway
John Russell
as Marshal Stockburn
Frank Ryan
as Matt Blankenship
Fran Ryan
as Ma Blankenship
Richard Hamilton
as Jed Blankenship
Graham Paul
as Ev Gossage
Chuck Lafont
as Eddie Conway
Jeffrey Weissman
as Teddy Conway
Herman Poppe
as Ulrik Lindquist
Kathleen Wygle
as Bess Gossage
Terry L. Evans
as Jake Henderson
Tom Friedkin
as Miner Tom
S.A. Griffin
as Deputy Folke
Jack Radosta
as Deputy Grissom
Robert Winley
as Deputy Kobold
Billy Drago
as Deputy Mather
Jeffrey Josephson
as Deputy Sedge
John Dennis Johnston
as Deputy Tucker
Michael Adams
as Horseman
Clay Lilley
as Horseman
Gene Hartline
as Horseman
R.L. Tolbert
as Horseman
Cliff Happy
as Horseman
Ross Loney
as Horseman
Larry Randles
as Horseman
Mike McGaughy
as Horseman
Jerry Gatlin
as Horseman
Lloyd Nelson
as Bank Teller
Jay K. Fishburn
as Telegrapher
George Orrison
as Stationmaster Whitey
Mike Munsey
as Dentist/Barber
Keith Dillin
as Blacksmith
Wayne Van Horn
as Stage Driver
Buddy Van Horn
as Stage Driver
Fritz Manes
as Stage Rider
Glenn Wright
as Stage Rider
Chris Penn
as Josh LaHood
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News & Interviews for Pale Rider

Critic Reviews for Pale Rider

All Critics (25) | Top Critics (6) | Fresh (23) | Rotten (2)

  • Though the metaphysical overtones of the screenplay are sometimes awkwardly handled and Eastwood's direction of actors (other than himself) is occasionally uncertain, this was one of the better American films of 1985.

    May 27, 2011 | Full Review…
  • Pale Rider does nothing to disprove the wisdom that this genre is best left to the revival houses. A double feature of Shane and Eastwood's High Plains Drifter will do just fine, thanks.

    Oct 26, 2008 | Full Review…
  • It's all been seen before, but Eastwood serves it up with authority, fine craftsmanship and a frequent sense of fun.

    Oct 26, 2008 | Full Review…

    Variety Staff

    Top Critic
  • It's good to be back in the saddle again.

    Feb 9, 2006 | Full Review…

    Derek Adams

    Time Out
    Top Critic
  • [Eastwood] understands so well how he works on the screen that the movie has a resonance that probably was not even there in the screenplay.

    Oct 23, 2004 | Rating: 4/4 | Full Review…
  • I'm just now beginning to realize that, though Mr. Eastwood may have been improving over the years, it's also taken all these years for most of us to recognize his very consistent grace and wit as a filmmaker.

    May 20, 2003

Audience Reviews for Pale Rider

  • Mar 29, 2018
    By this point in his career Clint Eastwood was best known for his westerns, he was essentially the ultimate badass cowboy. In the dictionary under westerns, you'd see a picture of Eastwood (nah not really). But yeah Eastwood was the supreme plains drifter with no name. This was, I think, Eastwood's last foray into the realms of western badassery as a no name loner dealing lots of badass justice. He was already slowly moving into a more varied selection of film roles and this seemed to be his final goodbye to this particular genre. And with that we get a very typical Clint Eastwood cowboy flick; all the tropes and cliches you've come to expect which is both good and bad truth be told. The plot: A small bunch of prospectors in California are trying their luck at panning for gold. Thing is they are doing so on land that a greedy big-time miner wants so he can mine it up. Naturally the big-time miner known as Lahood (Richard Dysart) and his cronies are all baddies so they try to run the prospectors off the land with violence. But low and behold, who should come trotting into the picture to save the day? Yep you've guessed it, its Clint as yet another no name hero (actually this character is a clerical man but he's simply referred to as the Preacher). OK so firstly I have to mention the scenery in this movie, it is stunning. Filmed within the Boulder mountains and Sawtooth national park of Idaho, along with Tuolumne County in California, its all breathtaking. I saw this movie on bluray which made this countryside look even more impressive. The clear blue skies, open grassy ranges, jagged mountains capped with snow, dense forests, and the highly authentic looking small town of Lahood. It all looked terrific and really popped on the screen. I guess the problems start with the baddies, those dastardly miners. Basically they weren't a very intimidating bunch truth be told, hardly had me on the edge of my seat. Then you had their leader, a very young Chris Penn. Penn's character was the son of Lahood, basically he's the spoilt kid who's in a position of power but really shouldn't be. Its a good idea but nothing is really done with it. You kinda expect more of a loose cannon, an annoying hotheaded youth shooting his mouth and guns off, but no. The only real evil he gets up to is attempted rape. K that's admittedly pretty bad but he does nothing much else. Lahood himself is your stereotypical aged, short, tubby, balding man in a suit with a fat tash. The elite team of deputies led by Marshal Stockburn (John Russell) who are hired by Lahood to kill the Preacher, are again an element in the film that weren't used to their full capacity in my opinion. For starters Russell was clearly too old for the role as he doesn't move much. Whilst I like the fact that there's an air of mystery surrounding these men and the history between Stockburn and the Preacher, maybe just a hint of backstory wouldn't have gone a miss. But bottom line these guys just weren't utilised enough which was a shame because they were cool. In the end they all get killed off pretty easily one by one by the Preacher in a sequence that we've seen repeated so many times. Shout out to early Billy Drago role here. Speaking of backstory, I guess I should point out that Eastwood deliberately made the Preacher like a ghost. He rides in outta nowhere, as though he was summoned by a greater force to protect the innocent prospectors (a prospectors daughter prays for help as he rides in). At the end he also rides off again to an unknown destination, maybe to save more innocent people? The character obviously does this type of thing often because we see his past gunshot injuries and we see that he keeps his gun and holster locked up in a bank, obviously for these situations. So its totally open-ended which is fine, I guess. Anyway things get a little bit too silly in places, take über baddie 'Club' (Richard Kiel). He is comically taken down by the Preacher early on and later the character actually does the same U-turn as Kiel's other famous character 'Jaws' (he turns into a goodie and helps the Preacher). Then there is also the initial fight between the Preacher and Lahood's men which involves hickory axe staves. Oh and there's that whole underage sex angle with the 14 year old girl protagonist. One of the prospectors daughters falls in love with the Preacher (obviously a silly teen crush) and isn't shy about saying so. Of course the Preacher turns her advances down but holy moly that whole subplot was awkward (and it carries through to the end!). This is a mixed bag for an Eastwood western it really is. On the one hand the movie is serious about its story, this isn't a film for kids or anything. There are some very violent moments in the movie with people getting shot multiple times and shot in the forehead (no cuts). There are beatings, the attempted rape, pillage, and a calf and dog get shot dead (all with blood). Not forgetting the underage girl trying to get into bed with the Preacher. Then on the other hand there are the typical little moments of dark humour you'd expect from Clint, moments of goofiness. As mentioned Richard Kiel's rather stupid and pointless character. And then really really stupid western cliches such as the baddie gang of miners bursting into a store to gun the Preacher down (where he was sitting moments before). Only for the room to be (clearly) empty when they burst in, yet they carry on shooting, shooting at nothing. Then of course the Preacher casually appears and guns them all down. The ending has a heavy dose of deus ex machina about it too. The Preacher has killed all the bad guys except Lahood who is sneaking up right behind him. But then out of the blue one of the prospectors appears and shoots Lahood. But I guess it showed that the Preacher wasn't that invincible, he could have died there. I like that Clint is an aged grizzled gunfighter in this movie, I liked his look and the fact he was a preacher. Yet even though this movie does deliver everything you would want and expect from a Clint Eastwood cowboy flick, you can't escape the feeling that you've seen it all before (which you have). Apart from the odd plot tweak its essentially no different from many of his other western movies. That's not a completely negative thing as Eastwood is/was a master of the western genre, but bare it in mind.
    Phil H Super Reviewer
  • Jun 25, 2017
    A reworking of "Shane" and Eastwood's own "High Plains Drifter" that, while sporadically interesting, unfortunately lacks the emotional power of the former and the rage of the later.
    Alec B Super Reviewer
  • Aug 05, 2016
    Even without a ton of dialogue, Clint Eastwood earns my attention in Pale Rider based on pure charisma and stature. He's done many great westerns, but this one ranks up there among his best. Of the many interesting things about a lot of Eastwood's westerns is that he often plays a wandering mysterious figure who happens to come upon conflict. Pale Rider is no different. This time, Eastwood is known as 'The Stranger' and 'The Preacher' who decides to help a small village of people from miners who intend to take over their land. For all intents and purposes, this feels a whole lot like a fresh take on the Seven Samurai structured story, but with only one bada** man. If it wasn't obvious already, I'm very high on Eastwood's performance here. He seems like a humble and honest man in his mannerisms but when push comes to shove, no one can take him in a gun battle. The supporting cast is formidable for the story they're telling. But besides some fun Richard Kiel moments, and an interesting 3rd act arrival from John Russell, the cast is really nothing to ride home about. Touting the lone two female characters are Carrie Snodgress and Sydney Penny as a mother and daughter from the village the Preacher is trying to protect. Although I think their performances are solid, some of the character decisions made them feel much more hollow and more down the line of clichéd females in film, sadly. Not to mention the unnecessary romantic angles Eastwood took with his direction of them. In terms of a western, Pale Rider hits all the beats you want. It has a compelling lead, high stakes, and one amazing gun-blazing final scene. If you're looking for another well-strung western from Eastwood, this is the film for you, even if some of the supporting characters and shoe-stringed romance misses the mark completely. +Eastwood as the Preacher is gold +Final battle +Fun appearances from Richard Kiel and John Russell -Romance angle is botched 8.6/10
    Thomas D Super Reviewer
  • Nov 04, 2013
    This is essentially director/star Clint Eastwood's take on the western classic Shane. Set in Northern California in the late 1880s, this film follows a group of independent pan miners who are terrorized by the corrupt and wealthy mining baron of a hydraulic mining operation and his vicious minions who want complete control of the area, and aren't fond of any kind of competition. Following a particularly devastating attack in which her dog is among those that get slaughtered, a young girl prays for a miracle, which shortly thereafter comes in the form of a mysterious stranger who rides a pale horse, and, due to wearing a clerical collar, becomes known simply as The Preacher. The Preacher soon makes it his mission to help the miners stand up for themselves, and take down the ruthless thugs that want to wipe them out. Yeah, the basic plot of this is nothing new, but it's done with a decent amount of style. I also liked that this film was really heavy on religious themes and overtones, and came off like a westernized take on a classic biblical epic. Not much is known about The Preacher, and over the course of the film this remains consistent, which gives a nice amount of ambiguity, and provokes thoughts of mythical and otherworldly proportions. SOme might think this is hokey, but it didn't bother me. I'm all for straightforward mysterious strangers who come to complete a mission, then call it a day once it's done. Eastwood is his typical self here in the lead, and to support him are a solid cast that includes Chris Penn, Richard Dysart, Richard Kiel, Sydney Penny, Carrie Snodgress, and Doug McGrath. The film has a nice look, is suitably gritty and stark when needed, and delivers the goods without any excess sidetracking. Like I said, it's nothing really knew, but it's still done quite well, so I say give it a look. Of the three westerns Eastwood made from 1976-1992, this one is the least of the three, but is still an okay film in its own right.
    Chris W Super Reviewer

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