Pandora's Box Reviews
German silent classic directed by Georg Whilhelm Plabst. The libertine and na´ve spirit of seductive Lulu is a potentially fatal trap to any man or woman who crosses paths with the young dancer. Seemingly unaware of the consequences of her actions, Lulu drifts at the mercy of events in a melodramatic adventure marked by strong sexuality and deviltry. Lulu's treacherous spell will be her doom; she will fall into misery and despair, and will meet a tragic fate at the hands of Jack the Ripper. Lulu personifies the Greek myth of Pandora on which the movie is thematically based. Pandora's Box is notable for lifting Louise Brooks into stardom, and for, presumably, being the first movie in the history of cinema to deal with the lesbian theme. This is a must-see for fans of Louise Brooks, fans of silent cinema and to whomever wants to see how homosexuality was treated on the screen in a period where it was still a taboo subject. The ludicrous pathos lends a funnier quality to the movie than it is supposed to be, but this doesn't hinder the cinematic experience. Wonderful cinematography and camera work. Supremely fun and naughty movie. Recommended.
Overall, an excellent film, complex, erotic, and unforgettable. Essential viewing.
So. No. Pabst did not create Lousie Brooks. Pabst made Lousie Brooks what she is today; an ultimately tragic relic of a bygone age. I cannot believe how astonishingly perfect Pandora's Box was conceived. Pabst is a true nobleman of the cinema for a number of reasons, my confidence will never sway in that regard. Pabst made the perfect film. A rarity, a pleasure, and a true art. His direction, the key to the enigma, only comes out of its perpetual hiding after a few viewings. It is Louise Brooks, and only Louise Brooks, that your eyes and heart feast on during the first time you watch Pandora's Box. Brooks was the most enchanting, dazzling, and transcendental of the silent screen goddesses. In the scene where Shon's is caught making love to her by his fiancÚ and his son, Brooks delivers the greatest facial expression ever captured on film. An act of dominance and sexual achievement. A grin that is truly timeless, as if she's staring through time and space, testing your wildest urges, daring you to love her, and begging you to beg to forget it. Although Brooks didn't know then, or even cared to know at the time, soon she would have Pabst all figured out. She realized that the greatest performance of her career, and one of the most legendary in all of cinema, was not a performance at all, it wasn't even acting. It was her. It was documentary. I was real. Perhaps the greatest invention belonging to G. W. Pabst was the invention of truth. Things look different when they are being filmed, it is a natural reaction to put on on an act of sort when one knows he or she is being watched. Pabst bypassed that fault in cinematic realism and created reality. Untouched by fabled hands, pure and innocent, L. Brooks. Arguably, Pabst is the only director who has ever accomplished such a remarkable feat.