The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Paris 36 is perhaps overlong for what it is, and it's certainly feather-light, but it gives its watcher an uncomplicated pleasure; like looking through a faded scrapbook, filled with memories once bright.
The film is deliberately old-fashioned in its approach; the story line is resolutely linear and the production values are deluxe. It all makes for a fairly enjoyable, if schematic, backstage extravaganza.
A shamelessly melodramatic series of romantic, financial and political crises embroil a rundown music hall in Paris 36, a gleaming hunk of French period schmaltz expertly rendered by director Christophe Barratier.
The 'spicy' numbers have no dazzle, the actors mug like contestants in a Maurice Chevalier impersonation contest, and the plot is a drily indigestible wad of show-must-go-on preciousness and socialist sentimentality.