Peppermint Frappe (1967)





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Movie Info

Geraldine Chaplin shines in a double role in this drama by celebrated Spanish director Carlos Saura. Julian (Jose Luis Lopez) is a middle-aged physician who is content to live out his retirement in the solitude of the country. His playboy brother Pablo (Alfred Mayo) brings his new bride Elena (Chaplin) for a visit, and in spite of Julian's strict upbringing and evident sexual repression, he falls in love with his new sister-in-law. Julian is floored at the striking resemblance between Elena and a nurse named Ana in the local village. The mild-mannered medico is tormented when he is rejected by Elena, and Paolo discovers his brother's obsession with his bride.
Art House & International , Drama
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Bocaccio Distribución S.A.


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Critic Reviews for Peppermint Frappe

All Critics (1)

A lesser Vertigo-like tale about a repressed middle-aged doctor, who is erotically obsessed over a girl he once saw at a demonstration during his youth.

Full Review… | August 6, 2011
Ozus' World Movie Reviews

Audience Reviews for Peppermint Frappe

"Peppermint Frappe" ends with a dedication to Luis Bunuel, but the master's influence becomes obvious much earlier. The lecherous plot -- callous siren teases older fetishist -- comes straight from Bunuel's pet themes. The nod to "Vertigo" is also hard to miss. Julian (Jose Luis Lopez Vazquez) is a balding, middle-aged radiologist. Far from likable, he smokes too much and steadily glistens with an anxious sweat. He has a shy but beautiful assistant named Ana (Geraldine Chaplin, in her first of nine films with director Carlos Saura). Julian is reunited with his old friend Pablo (Alfredo Mayo), and is immediately consumed with Pablo's alluring wife Elena (Chaplin again, this time in a blonde wig). He has an image stuck in his mind of an exuberant, unidentified girl he saw beating a drum at a past regional celebration -- Elena is either that very girl, or just someone who resembles her (flashbacks supply Chaplin with a possible third role). But Julian doesn't care much about the truth. He's hooked either way. From there, his fixation only deepens. He courts Ana as a poor substitute, and obsessively goads her to adopt Elena's glamorous makeup, dress and hair. He even puts a drum in her hands. But it's only a matter of time before he turns back to Elena -- despite her marriage to Pablo. Elena senses his attraction and cruelly toys with him. Tension builds, and a happy resolution seems unlikely. "Peppermint Frappe" deviates little from Bunuel's playbook. The only strong difference is its prominent use of contemporary rock music. Bunuel typically rejected the comforts of musical scoring, but Saura has no such reservations. What's more, the film's central song, "The Incredible Miss Perryman," is marvelously catchy.

Eric Broome
Eric Broome

Super Reviewer

Made as a tribute to Luis Bunuel, this owes as much to Vertigo in its portrayal of romantic obsession and fetish as to Bunuel's surrealism. Saura's editing and framing is kind of bland but there's some pretty cool devices like using Chaplin (who displays great range) to play three roles and the attention to details that highlight the fetishist quality of the film. The ending was creepy as hell.

X. T. C.
X. T. C.

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