Perfume: The Story of a Murderer - Movie Reviews - Rotten Tomatoes

Perfume: The Story of a Murderer Reviews

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January 9, 2007
The film itself is way too long, culminating in a ludicrous orgy scene.....
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January 9, 2007
....overcomes a laborious start to end in a breathtaking, whirlwind finish.....
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January 8, 2007
Hated this movie. Hated it.
January 7, 2007
Another compelling work from Tykwer, however unpleasant.
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January 5, 2007
Perfume has great moments of beauty and of audacity.
Full Review | Original Score: 2.5/4
January 5, 2007
Grenouille's obsession is, in the end, much like that of the less ornately literary killers who precede him, producing desperately conventional spectacles of dead girls.
January 5, 2007
Perfume: The Story of a Murderer never tries to make Jean-Baptiste sympathetic but he's not rendered monstrous, either: He just is a victim of a passion larger and more powerful than any one man can handle.
Read More | Original Score: 3/4
January 5, 2007
Tykwer's smash-and-grab directing style lacks the magisterial flair of the original novel by Patrick Suskind, which was celebrated by no less than John Updike in The New Yorker. It's hard to judge a book right after you've seen the movie, but I hated it.
Read More | Original Score: D
January 5, 2007
[The filmmakers] render a portrait of Paris that both delights and overwhelms the senses. This is a movie where eyes turn into noses, which may run at the many ghastly sights presented.
Full Review | Original Score: 2.5/4
January 5, 2007
Tykwer, best known for the ultramodern chase movie Run Lola Run, would seem an unusual choice for a period film, but he infuses the sometimes stately story with vigor; though well past two and a half hours, it never feels long.
Full Review | Original Score: 3.5/4
January 5, 2007
The movie talks suggestively about smells but can't quite find a way to bring them to life, so [director Tom] Tykwer uses images to rub our noses in as many disgusting things as he can.
Read More | Original Score: 2.5/4
January 5, 2007
The movie is lost. Whishaw succeeds in making the repulsive protagonist thoroughly repulsive, which is probably a testimony to his acting ability. But it doesn't make it anything worth watching.
Full Review | Original Score: 1/4
January 5, 2007
Director Tom Tykwer masterfully conveys the sensuality of smell via captivating images. The intriguing performance by newcomer Ben Whishaw conveys the profound effect of his supersensitive nose.
Full Review | Original Score: 9/10
January 5, 2007
Even if that broad interpretation -- that art is worth any human cost, that identity can be put on, like a scent -- leaves you cold, there's a world to immerse yourself in, a killer to be pursued, and an innocent to be feared for.
Read More | Original Score: 4/5
January 5, 2007
Whishaw's oddly charismatic performance makes the despicable Grenouille into an almost sympathetic antihero. The rather astonishing finale will likely have audiences either howling in derision or ardently dissecting afterward.
Full Review | Original Score: B+
January 5, 2007
Perfume is not gratuitously violent, nor does it focus on the act of murder itself. There are numerous suspenseful and creepy scenes showing Jean-Baptiste at work, but, primarily, the movie is the study of a troubled human being.
Full Review | Original Score: 3/4
January 5, 2007
The movie is pretty to look at, but over-long and, in the end, self-conscious. What a disappointment.
Full Review | Original Score: 2.5/5
January 5, 2007
Lush visuals and lusty, rhapsodic language bring Perfume as close as cinematically possible to capturing an elusive sense.
Full Review | Original Score: 2.5/4
January 5, 2007
Perfume, a fast-paced allegorical tale about the pursuit of perfection, may fill the senses for its duration, but without a discernible psychological essence it does not linger for long.
Read More | Original Score: 2/4
January 5, 2007
Tykwer has to set a unique tone here -- fairy tales about serial killers being somewhat rare -- and he manages the absurdity of his subject matter well, keeping Jean-Baptiste right on the edge between monster and genius.
Full Review | Original Score: B-
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