The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
From the Critics
From RT Users Like You!
The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Director Steven Frears deserves special mention. A lesser filmmaker could so easily have turned this project into mushy, sentimental junk. The tear-jerking moments here are heartfelt and real. It's the kind of filmmaking we see too little of today.
The chemistry between Steve Coogan as a snooty journalist and Judi Dench as a retired nurse searching for her son brings humor and warmth to a harrowing tale of the plight of unwed Irish Catholic mothers in the 1950s.
Director Stephen Frears manages to successfully walk the tricky line between comedy and dark drama. It keeps the audience off-kilter a bit, but in a good way; we shouldn't always need to know what's coming next, in terms of tone or plot.
Coogan was raised Catholic and the hypocrisies and horrors of this story clearly hit him in the way they can only strike those who still remember weekly confession, fish on Fridays and kneeling, unquestioningly, at the altar rail.
Judi Dench's portrayal of a stubborn, kindhearted Irish Catholic trying to discover what became of the toddler she was forced to give up as a teenager is so quietly moving that it feels lit from within.
This affecting, impressively intelligent drama follows one elderly woman's search for her biological son, who was sold without her permission five decades earlier to a rich woman who pets the boy as she might a cat.
We prepared ourselves for an emotional explosion-not for physical violence, but for that of a bursting heart-and yet, when the time came, that is not what happened. Frears put the pin back in the grenade, as it were.
Frears, in fine form at 72, has proved himself a modest master at juggling the serious and the silly in such actors' showcases as The Queen and Tamara Drewe; and the script by Coogan and Jeff Pope, brims with bright dialogue.