The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Roman Polanski's "The Pianist" is the director's finest achievement, and elevates Adrien Brody (Oscar win for Best Actor 2002) to eminence in his representation of Wladyslaw Szpilman, a Polish Jew who survived the Nazi occupation of Warsaw.
[I]t takes six or seven people to keep one half-dead Jew alive.... Wladyslaw's situation is extraordinary but what's happening on screen doesn't really feel so extraordinary. There's almost no emphasis, no point of view.
The Pianist is a serious movie brought out in a tabloid-besotted time, a prestige picture that invigorates, a study of character and history that knows irony to be a part of life and not the purpose of art.
I'm not sure if the problem is a lack of connecting episodes or the inability to perfect Adrien Brody as a spellbinding figure of solitude. Whatever the deficiency, the movie feels exhausted well before its footage reaches a fade-out.