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Piņero Reviews

Page 1 of 4
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

It attempts to champion the phony theme that poor, vulnerable artists should be forgiven their failings because they are so much more important than the rest of us.

Full Review Source: St. Paul Pioneer Press | Original Score: 1/4

April 18, 2002
Eric D. Snider
EricDSnider.com

Who was Piņero, and more to the point, why should we care? Bratt brings him to life, but we come away appreciating his genius no more than we did before.

Full Review Source: EricDSnider.com | Original Score: C+

December 7, 2003
Claudia Puig
USA Today
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Despite the quality of Bratt's performance, the movie is like its subject: provocative, impenetrable and tiresome.

Full Review Source: USA Today

December 13, 2001
Felix Vasquez Jr.
Cinema Crazed

A dull, slow, and completely uninteresting biopic.

Full Review Source: Cinema Crazed

April 29, 2009
Derek Adams
Time Out
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Flashily but irritatingly shot, full of unmotivated switches from colour to b/w, sudden flashbacks, mannered slow mo and jump cuts, this is hardly a subtle evocation of its subject's life.

Full Review Source: Time Out

February 9, 2006
Jeremy Heilman
MovieMartyr.com

One would wish that the end result of their labors, which is an obvious effort of love, would be better.

Full Review Source: MovieMartyr.com | Original Score: 2/4

March 5, 2002
Dennis Schwartz
Ozus' World Movie Reviews

This biopic seemed about as amorphous as a junkie high.

Full Review Source: Ozus' World Movie Reviews | Original Score: C-

July 26, 2002
John J. Puccio
Movie Metropolis

The film's cinematic technique is supposed to be vibrant and alive and reflect Pinero's variegated lifestyle, but it never gets to the soul of the man....

| Original Score: 6/10

July 29, 2002
Michael Atkinson
Village Voice
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Biopics about inebriated artists are always stranded by their own non-stories, and Piņero's short life was apparently little more than a series of dimebag mooches and public stumbles.

Full Review Source: Village Voice

December 11, 2001
Lou Lumenick
New York Post
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Has its moments ... but overall it doesn't do justice to Bratt's brave performance.

| Original Score: 2.5/4

December 13, 2001
John Anderson
Newsday
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You get the feeling Ichaso is trying to bluff us into becoming believers.

Full Review Source: Newsday

December 14, 2001
Peter Travers
Rolling Stone
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An annoyingly hyper biopic.

| Original Score: 1.5/5

January 6, 2002
Desson Thomson
Washington Post
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A well-intentioned, reverential but unenlightening portrait.

| Original Score: 2/5

January 24, 2002
Terry Lawson
Detroit Free Press
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Bratt's performance is as steady and consistent as the film is frustrating.

Full Review Source: Detroit Free Press | Original Score: 2/4

May 3, 2002
Ryan Cracknell
Apollo Guide

An artistic nightmare, marred by numerous stylistic leaps.

Full Review Source: Apollo Guide | Original Score: 60/100

October 2, 2002
Guylaine Cadorette
Hollywood.com

Full Review Source: Hollywood.com | Original Score: 1/5

March 2, 2002
Kimberley Jones
Austin Chronicle

The narrative jumps haphazardly from set-piece to set-piece.

Full Review Source: Austin Chronicle | Original Score: 2/5

March 10, 2003
David Hunter
Hollywood Reporter
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Complex but often disengaging.

September 7, 2001
Charles Taylor
Salon.com
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A sustained piece of showboating mythmaking, and something of a snow job.

Full Review Source: Salon.com

December 13, 2001
Evan Henerson
Los Angeles Daily News

With his cinematic artyness, Ichaso the director may be trying to dazzle us out of seeing the holes that Ichaso the writer has left gaping.

December 14, 2001
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