Mary Poppins Returns
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All Critics (19)
| Top Critics (5)
| Fresh (4)
| Rotten (15)
| DVD (2)
As a deeply personal work about free-floating existential identities, this 1989 film has the kind of grit and feeling that few action comedies can muster, with Eastwood and Peters interesting and unpredictable throughout.
It is the laziest sort of action comedy, with lumbering chase scenes, a dull-witted script and the charmless pairing of Mr. Eastwood and Bernadette Peters.
An overlong, undercooked action comedy made out of retooled parts from other film vehicles.
There's little that's new in the material, and nobody seems to have asked whether the emotional charge of blatant racism belongs in a lightweight story like this -- even if the racists are the villains.
It's weightlessly, irredeemably enjoyable.
Somehow works as one of Clint Eastwood's lesser vehicles.
While the script stumbles beyond a comforting sense of reality (white supremacists?), Pink Cadillac maintains a certain hospitable, emphatically dim-witted appeal.
Pink Cadillac is rich in character, containing some of the most heartfelt and engaging moments in an Eastwood film.
Painless but dumb chase flick
Pretty forgettable Eastwood runs out of gas.
Too violent for a comedy and without the insights that could have turned this into a charmer, Pink Cadillac never gels, and Eastwood struggles to make his rough bounty hunter with a heart of gold at all convincing.
I have no idea why people hate this movie, it's such a classic. Clint Eastwood gives his most zany performance of his career, being a costume wearing identity changer/bounty hunter. Forget just regular villains, this has a band of Neo-Nazis as the only thing standing in Clint Eastwood's way. In the end though, not even they really stood a chance. This has a great combination of comedy, action and a little bit of romance thrown in. It has so many great moments and is impossible to pass up if you're a fan.
Had to watch it.....wish I hadnt.
Clint Eastwood's cool as a master of disguise to nail his target.
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