The LEGO Movie 2: The Second Part
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All Critics (79)
| Top Critics (27)
| Fresh (72)
| Rotten (7)
A swirl of action and information punctuated by chase scene after glorious chase scene.
You're going to have to track "Point Blank" down, but if you're looking for a real slice of what the thriller cinema perpetually promises and so rarely delivers -- pure force from up close -- it's one of the standout secrets of the year.
Put aside any hang-ups you may have about subtitles. As action flicks go, "Point Blank" is right on target.
[A] finely calibrated French neonoir.
All right, this is how to make a thriller: Start with a situation of astonishing difficulty and emotional weight. Then multiply. And keep piling on.
If the storyline doesn't amount to much more than B-movie leftovers, there isn't an ounce of fat on them.
The American action flick is a genre that will never die. But it's hard to make one that seems fresh, as filmmakers seem to stick to a winning formula. Point Blank is an invigorating exception.
"Point Blank" is loads of fun, if not exceptionally clever or original.
Point Blank is saddled with the same title as John Boorman's 1967 masterpiece, but the only thing the two films really have in common is coolness.
A leaner and meaner 84 minutes you are not likely to catch on a screen this year.
[Writers] Cavayé and Lemans...dump all manner of double-dealing and good cop-bad cop intrigue into what could have been a wonderfully streamlined, character-driven thriller about an innocent man forced to do the bidding of criminals to save his family.
It moves so fast and furiously that you will forget you are reading subtitles altogether. This is one fantastic mainstream action movie that is so manic it may leave you gasping for air.
Gangsters kidnap a medical assistant's pregnant wife to force him to spring their injured comrade from a hospital; complications arise and he's drawn into a web of conspiracy and murder. Fast-paced French thriller with a classic "cops think the good guy is the bad guy" hook.
At a lean and mean 84 minutes, "Point Blank" moves quickly and efficiently, providing excitement at a serviceable pace. Despite the French subtitles, this isn't art house cinema. It's about thrills, not script. Director Fred Cavayé' clearly has one eye on Hollywood. The story unfolds very much like one of Liam Neeson's recent vehicles like Taken or Unknown. The director's debut, 2008?s Anything for Her, was even remade as The Next Three Days. Ironically that remake actually featured Liam Neeson in a supporting role.
There is little doubt in my mind that this picture will be remade as well, but don't wait for the substandard remake. See the original in all it's glory for the cast is quite good here. There's a surprising amount of character development for a genre movie of this sort. Actor Gilles Lellouche stars as the likable protagonist pushed to break the law to save his wife. Roschdy Zem, a French actor of Moroccan descent, is Hugo Sartet, the thief he is forced to secure. I kept seeing Vin Diesel in the part, but Sartet is no indestructible action hero, his part is more subtle than that. Their interaction is a big part of what makes the plot so compelling. Also rounding out the main roles is Spanish actress Elena Anaya as his wife/damsel in distress and Gérard Lanvin as crooked Paris police commander Patrick Werner.
Point Blank is an above average action thriller. It's not the first time you'll watch an ordinary man in extraordinary circumstances, but it's always a solid basis for a script. Director Fred Cavayé started as a fashion and advertising photographer. His training imbues the operation with style and flair. It's probably only a matter of time before he's invited to the U.S. to start making pictures there. Based on his first and only two films, I'd say sooner is better than later.
"A desperate man is a dangerous thing."
Samuel Pierret (Gilles Lellouche) is a nurse who saves the wrong guy -- a thief (Roschdy Zem) whose henchmen take Samuel's pregnant wife (Elena Anaya) hostage to force him to spring their boss from the hospital. A race through the subways and streets of Paris ensues, and the body count rises. Can Samuel evade the cops and the criminal underground and deliver his beloved to safety?
Grade: C (74%)
Point Blank is one of those movies where it is a couple of years late. There have been many movies that have been made that follow this particular pattern. "Taken" is an example of this type of film. However, even though the film is predictable there is some fun to be found in this short thriller.
Samuel is just about to become a nurse at a local hospital and his wife Nadia is 7 1/2 months pregnant. While Samuel tries to do everything for her pregnant wife, he works the night shifts at the hospital making sure patients are okay and helps them with anything they need. But when an injured man comes into the hospital after being hit by a motorcycle, au unknown person tries to murder the same victim. With Samuel being a hero and saving this person's life, his personal life gets involved when he is knocked unconsious and sees his wife being taken away. He wakes up to a cell phone call and tells him to bring the same man from the hospital to him.
So yes, it has a little bit of "Taken" in his pages that makes it a similar thriller. Your loved one is kidnapped, time to find her. The film does keep you interested, mostly. For the first twenty minutes or so, it moves very slow which to some people can be a problem. This movie is only 84 minutes and you lose most of your time with a slow building of plot in the beginning.
But where the movie suceeds can be a hit or miss for viewers. Most of the action sequences gave a "been there, done that" thought process. While some like seeing acton sequences again with an R-rated feel, many will grow bored of the action sequences.
Point Blank is a descent thriller that is four or five years behind the rest of the film world. It is a shame that this film isn't as good as it should be, but if you throw everything else out the window for a little less than 90 minutes, some fun can be found in this foreign language film.
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