The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
This dark and slightly surreal Mexican film is beautifully shot and features a string of naturalistic and impressive performances, but sadly its bizarre blend of eccentric scenes don't really come together.
Reygadas is, from a certain point of view, one of modern cinema's masters: a director who wants to work with productive frustration as he creates images using a distorting, bevelled lens to size up a world that is itself distorted.
Dreary family drama goes on to dominate what could almost be described as the plot, and mid-film sorties into a cheerless sex club and a rugby match at an English secondary school are as bamboozling in isolation as they are in context.
The title, signifying "light after darkness," derives from the Latin translation of the Book of Job, an appropriate source given that a considerable amount of the prophet's proverbial patience is required.
Reygadas has elected to shoot large portions of his film through a bevelled camera lens, which refracts his figures, doubles the image and leaves the screen's borders blurred. I have no doubt he is deliberately setting out to vex us.