The Ballad of Buster Scruggs
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All Critics (23)
| Top Critics (6)
| Fresh (17)
| Rotten (6)
| DVD (1)
It takes a robust and humorous approach to life in a brothel, where the work done is less important than the community spirit; and "naughty" would be a far better word to describe the sex scenes, while the rest is decidedly nice.
Louis Malle's Pretty Baby is a pleasant surprise: After all the controversy and scandal surrounding its production, it turns out to be a good-hearted, good-looking, quietly elegiac movie.
The story highlights are confined within a narrow range of ho-hum dramatization.
Despite the scandalised yelps about child pornography, a film of disarmingly subversive innocence.
The most imaginative, most intelligent, and most original film of the year to date.
Dull and lifeless.
Beautifully shot and subtly rendered.
The pervasive romanticism and the psychological shallowness left me feeling bored long before the end.
Despite its notoriety, this period drama is cosier than might have been expected.
This visually evocative tale of a child prostitue, Louis Malle's first American film, is not as strong as his next (Atlantic City), but Susan Sarandon and Brooke Shields are splendid.
An inert and boring morality tale that should please neither sensationalists nor puritans.
While it oozes with atmosphere and Sarandon is superb, the story never comes together and Malle's treatment of Shields is kinda creepy.
This is one of the more polarizing and challenging period pieces to ever be put to screen, mostly because of the sensitive subject matter and the use of a child actress to play a child. Brooke Shields as child prostitute Violet plays a girl who thinks she knows the ins and outs of adult sexual relationships but is still the same spoiled, inept child she should be. Raised in a whorehouse and privy to the goings on in the upstairs bedrooms, the young girl wants more than anything to be raffled off and made a whore for the same money and prestige as the other women. Sadly she doesn't realize how empty that life is, and that those around her are happy to take advantage the first moment that she's vulnerable. While the story itself is very upsetting, it's good to see the evolution of Violet's character from a spoiled brat into a lost girl. The supporting cast is amazing, including Susan Sarandon as Violet's equally spoiled mother, Frances Faye as the Madame, enamored with fading glamour, and Keith Carradine as the photographer Bellocq, someone who covets the young girl's beauty. For the subject at hand, it's tastefully done, and at no time is prostitution truly glamorized, instead showing how youth can be stolen so quickly it can break your heart.
One of those things I had to see. And I must say that if it didn't make you slightly sick, you need therapy.
Anyway, this is my second (I think) Malle film and something tells me I liked the other one better. The loonngg reaction shots were questionable only because the actor didn't actually emote more, just blank stare for the most part. But kudos to not only shields and her parents, but Malle for doing it. Having a 12 year old naked would get most people laughed out on their ass.
The red-light district of New Orleans. The story of the women. The photographer. And the prostitute's daughter.
I'd always heard of this movie and the controversy surrounding it since it showed Brooke Shields naked. I wish now that I hadn't watched it. She's too young to think anything like that about, yes, but even then it's just a boring movie and I saw little redeeming value in it.
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