The Tomatometer rating – based on the published opinions of hundreds of film and
television critics – is a trusted measurement of movie and TV programming quality
for millions of moviegoers. It represents the percentage of professional critic reviews
that are positive for a given film or television show.
From the Critics
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or
higher after a set amount of reviews (80 for wide-release movies, 40 for
limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Made in Italy in 1964 as L'Amore Primitivo, the year after Promises, Promises and a full four years before The Wild Wild World of Jayne Mansfield and her unfortunate death, this is one of the rarest-if not the rarest-Jayne Mansfield movies of all time. The film opens to the immortal strains of "Bella Come Te" as Mansfield-playing herself-checks into a fancy hotel and within five minutes comes up with at least 10 different excuses to disrobe, shower and prance around almost naked. Franco and Ciccio (at the time Italy's top funnymen, who also appeared in Dr. Goldfoot and the Girl Bombs and may very well be the two scariest Jerry Lewis imitators of all time) play horny bellhops spying on Mansfield's every move. She eventually settles down, sets up a projector in her room, and invites a very square looking professor into her room to view her new documentary/shock-u-mentary. In the grand tradition of 'mondo' movies Mansfield starts narrating the action as the screen unfolds to show topless Asian women, real animal sacrifices, interracial sex and oriental cock-fighting. Suddenly a witch doctor pounds the drums while a bevy of young girls do the topless Temptation Dance. Then the movie within a movie veers off into hallucination land as Mansfield becomes the native girl and does a breast twirling dance for the drum pounding Franco and Ciccio, featuring one of them twirling his eyebrows in direct sync to Mansfield's breasts. When queried as to the validity of all this wild documentary footage, filmmaker Mansfield espouses that all men, deep down inside, are actually primitive lusting animals. In the explosive finale, she proves her point. While performing a striptease, the bellhops go beserk and the professor turns into a drooling, sex-crazed werewolf. ~ Cub Koda, Rovi